DT Fernando, Mohammed Gauss, Mohideen Beig's 'Aaley Maage' had a release date set for April 9, 1947. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Aaley Maage's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 9 in Asokamala by DT Fernando, Mohammed Gauss. Going off of the ISRC code of this track, we detected that the origin of this track is from Sri Lanka. Aaley Maage is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Aaley Maage by DT Fernando, Mohammed Gauss, Mohideen Beig is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ajuni Rusuni Ahe | Kumar Gandharva | A Minor | 5 | 8A | 79 BPM | ||
| Kadale Vazha Kayyilirunnu | Jikki, P. Bhaskaran | D Major | 5 | 10B | 146 BPM | ||
| Kanada Raja Pandharicha | Sudhir Phadke, Vasantrao Deshpande | D♭ Minor | 6 | 12A | 103 BPM | ||
| Rajanigandha Jeevani Ya | Anuradha Paudwal | D Major | 3 | 10B | 179 BPM | ||
| Akkini Abishaegam | D. G. S. Dhinakaran, Angel Dhinakaran | D♭ Major | 7 | 3B | 78 BPM | ||
| Maarnewala Hai Bhagwan - With Dialogue | Lata Mangeshkar, Kalyanji-Anandji | A♭ Major | 6 | 4B | 83 BPM | ||
| Yeh Dhoop Kinara | Nayyara Noor | D Major | 2 | 10B | 166 BPM | ||
| Aadisidaatha Besara Moodi | G.K. Venkatesh | B♭ Major | 4 | 6B | 116 BPM | ||
| Holi Aayi Re Kanhai | Lata Mangeshkar, Shamshad Begum, Shakeel Badayuni | E Major | 6 | 12B | 104 BPM | ||
| Koi Hamdam Na Raha | Kishore Kumar | B♭ Major | 5 | 6B | 154 BPM | ||
| Bandeya Gururaaya | Rajkumar | D♭ Major | 4 | 3B | 107 BPM | ||
| Shantha Mey Rathriye | DT Fernando, Mohammed Gauss, Bhagyarathi | F♯ Minor | 2 | 11A | 147 BPM | ||
| Tera Ram Ji Karenga Beda Paar | Hari Om Sharan | F♯ Major | 4 | 2B | 173 BPM | ||
| Jahan Mein Aesa Kaun Hai | Asha Bhosle | E♭ Major | 3 | 5B | 173 BPM | ||
| Rasa Pirila | DT Fernando, K. Rani | F♯ Major | 5 | 2B | 124 BPM | ||
| Gham-e-Dil Ko In Ankhon Se (From "Naela") | Mala | A Minor | 2 | 8A | 110 BPM | ||
| Kolhapurchi Lavangi Mirchi | Usha Mangeshkar | E Major | 4 | 12B | 84 BPM | ||
| Shilongar Monalichha Lingdo | Bhupen Hazarika, Jayanta Hazarika | E♭ Major | 5 | 5B | 95 BPM | ||
| Bichhodko Pida | Dilmaya Khati, Narayan Gopal | F Major | 5 | 7B | 74 BPM | ||
| Des Chhudaye Bhes Chhudaye | Kishore Kumar | E♭ Major | 3 | 5B | 161 BPM | ||
| Khayalon Mein Kisi Ke Is Tarah | Mukesh, Geeta Dutt | D Minor | 3 | 7A | 99 BPM | ||
| Sunoji Suno Hamari Bhi Suno | Mukesh | A♭ Minor | 6 | 1A | 103 BPM | ||
| Nagabeku Nagisabeku | P. B. Sreenivas | A Minor | 4 | 8A | 138 BPM | ||
| Suvtiyo | Champa Methi | A♭ Major | 4 | 4B | 158 BPM | ||
| Tum Sab Se Haseen Ho | Mahendra Kapoor, Asha Bhosle | A Minor | 8 | 8A | 144 BPM |