Ranee Lee's 'Dialogue 9' had a release date set for April 1, 2000. With This song being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 42 in Dark Divas: The Musical by Ranee Lee. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Dialogue 9 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dialogue 9 by Ranee Lee is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lazy Afternoon | Ranee Lee | B♭ Major | 3 | 6B | 121 BPM | ||
| Don't Misunderstand | Jimmy Heath, Gregory Porter | C Major | 3 | 8B | 119 BPM | ||
| Gone Again | Lucy Yeghiazaryan, Vanisha Gould | A Minor | 0 | 8A | 106 BPM | ||
| Chelsea Morning | Sara Colman | D♭ Major | 4 | 3B | 125 BPM | ||
| Blues In F | Charlie Biddle, Wray Downes, Oliver Jones, Ranee Lee, Wali Muhammad, Johnny O'Neal, Richard Ring | G Minor | 1 | 6A | 173 BPM | ||
| Oh Soul | Romy Camerun, Henning Schmiedt, Zülfü Livaneli | E♭ Major | 4 | 5B | 118 BPM | ||
| Mona Lisa | Hugh Coltman | E♭ Major | 2 | 5B | 81 BPM | ||
| I'll Be Seeing You | Cyrille Aimee, Michael Valeanu | F Minor | 0 | 4A | 90 BPM | ||
| I Can Tell | Olivia Van Goor, Josie Ala | A♭ Major | 6 | 4B | 114 BPM | ||
| The Moon and the Sky | Marína Ósk, Anna Gréta | G Major | 1 | 9B | 119 BPM | ||
| Between the Bars | Taylor Eigsti, Becca Stevens | B♭ Minor | 1 | 3A | 67 BPM | ||
| Le Front Caché Sur Tes Genoux | Cécile McLorin Salvant | B♭ Minor | 2 | 3A | 134 BPM | ||
| My One and Only | Robin Mckelle | A Major | 5 | 11B | 124 BPM | ||
| I Wish You Love | Lauren Henderson, Eric Wheeler, Joe Dyson, Joel Ross, Sean Mason | A♭ Major | 4 | 4B | 114 BPM | ||
| The Sorrow It Shows | Rikard From | A♭ Minor | 1 | 1A | 168 BPM | ||
| Ashes on the Floor | ZChill Jazz | B♭ Minor | 1 | 3A | 172 BPM | ||
| And If You Please | Mario Romano, Jackie Richardson | C Major | 6 | 8B | 150 BPM | ||
| The Folk Who Live on the Hill | Callum Au, Claire Martin | E♭ Major | 2 | 5B | 69 BPM | ||
| Somebody's On My Mind | Ranee Lee, Oliver Jones, Milt Hinton | G Major | 3 | 9B | 118 BPM | ||
| Surrey with the Fringe on Top | Emilie-Claire Barlow | C Major | 3 | 8B | 114 BPM | ||
| The Sweetest Moments | Alex Bird, The Jazz Mavericks, Ewen Farncombe | D Major | 1 | 10B | 78 BPM | ||
| A Foggy Day | Juliet Ewing | B♭ Minor | 1 | 3A | 85 BPM | ||
| By Myself | Inger Marie Gundersen | D♭ Major | 2 | 3B | 121 BPM | ||
| Then I'll Be Tired of You | Kat Gang | G Major | 2 | 9B | 110 BPM | ||
| Starlight Starbright | Eugenie Jones | G Minor | 4 | 6A | 103 BPM |