"ユード・ビー・ソー・ナイス・トゥ・カム・ホーム・トゥ" by 笠井 紀美子 had its release date on January 1, 1973. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in イン・パーソン, so we believe that "ユード・ビー・ソー・ナイス・トゥ・カム・ホーム・トゥ" is a single. ユード・ビー・ソー・ナイス・トゥ・カム・ホーム・トゥ is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ユード・ビー・ソー・ナイス・トゥ・カム・ホーム・トゥ by 笠井 紀美子 is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 誘われてシーサイド | Masaru Imada | F Minor | 6 | 4A | 146 BPM | ||
| Dream In The Street | 池田典代 | F Major | 6 | 7B | 119 BPM | ||
| Love Was Really Gone - 2018 Remaster | Makoto Matsushita | E Minor | 7 | 9A | 87 BPM | ||
| Cadillac Woman | Noriko Miyamoto, Isao Suzuki | E♭ Major | 6 | 5B | 109 BPM | ||
| ファッショナブル・ラヴァー (Album Ver.) | Hi-Fi Set | E♭ Major | 9 | 5B | 148 BPM | ||
| Paper Machine | 藤丸バンド, 芳野藤丸 | C Major | 9 | 8B | 126 BPM | ||
| On Sundays | EPO | D Minor | 8 | 7A | 139 BPM | ||
| ココナッツ・アイランド | Masataka Matsutoya | C Minor | 8 | 5A | 103 BPM | ||
| ブリーズ | 稲垣次郎とソウル・メディア | C Minor | 4 | 5A | 88 BPM | ||
| サブタレニアン二人ぼっち - 2017 リマスター | Nanako Sato | D Major | 7 | 10B | 118 BPM | ||
| トロピカル ラブ | テレサ野田 | G Major | 6 | 9B | 90 BPM | ||
| ベリー・スペシャル・モーメント | 笠井 紀美子 | C Minor | 8 | 5A | 106 BPM | ||
| サマー・ワイン - 2021リマスター | 小林泉美 & Flying Mimi Band | C Minor | 5 | 5A | 154 BPM | ||
| イン・ザ・スカイ | Shunzo Ohno | B♭ Major | 4 | 6B | 125 BPM | ||
| Seems Like This | Azymuth | G Minor | 6 | 6A | 99 BPM | ||
| CHARCOAL BREAK | NANIWA EXPRESS | B♭ Major | 6 | 6B | 103 BPM | ||
| Blind Curve | Momoko Kikuchi | B Minor | 6 | 10A | 120 BPM | ||
| Nice Shot | Sadao Watanabe | C Major | 6 | 8B | 108 BPM | ||
| レフト・アローン | Masaki Ueda | F Major | 4 | 7B | 88 BPM | ||
| 電話しても - 2012 Remaster | Kazuhito Murata | D♭ Minor | 8 | 12A | 122 BPM | ||
| ラスト・フット | Masaki Ueda | A Major | 5 | 11B | 121 BPM | ||
| Modern Museum | Masayuki Kishi | A♭ Major | 7 | 4B | 137 BPM | ||
| 心のままに | 朝比奈 マリア | F Minor | 8 | 4A | 115 BPM | ||
| DANCING INTO FANTASY | RYUSENKEI | B Major | 6 | 1B | 112 BPM | ||
| This Is All I Have For You - 2018 Remaster | Makoto Matsushita | F Minor | 8 | 4A | 115 BPM |