Mingus Big Band's 'Invisible Lady' had a release date set for 2002. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Tonight at Noon". In this album, this song's track order is #5. Furthermore, we believe that the track originated from France. In terms of popularity, Invisible Lady is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Invisible Lady by Mingus Big Band having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jupiter: The Bringer of Jollity | Jeremy Levy Jazz Orchestra | C Major | 7 | 8B | 102 BPM | ||
| No More Blues | Bill Watrous | D Major | 2 | 10B | 94 BPM | ||
| Rehearsal Medley: First Nassau Band Rehearsal / Rival Overbrook Chart / Second Nassau Band Rehearsal / Studio Band Eavesdrop / Studio Band Rehearsal After Breakup | Tim Simonec | F Minor | 6 | 4A | 152 BPM | ||
| Big Dipper | Thad Jones, Mel Lewis | G Major | 4 | 9B | 137 BPM | ||
| Bugle Call Rag | Buddy Rich | E♭ Major | 9 | 5B | 156 BPM | ||
| Giddyup! | Rick Hirsch's Big Ol' Band | F Minor | 6 | 4A | 108 BPM | ||
| Stolen Moments | Oliver Nelson | C Minor | 2 | 5A | 107 BPM | ||
| Generation S | Peter Martin, Gregory Hutchinson, Sarah Hanahan, Reuben Rogers | F Minor | 5 | 4A | 127 BPM | ||
| Extra Credit | Jim McNeely, Ed Neumeister, Scott Wendholt, Rich Perry | G Major | 4 | 9B | 106 BPM | ||
| Two Seconds to Midnight | Alan Baylock Jazz Orchestra | B♭ Major | 6 | 6B | 153 BPM | ||
| ハンガリー舞曲 第5番 | Chihiro Yamanaka | F Minor | 5 | 4A | 155 BPM | ||
| Inexorable | Ben Patterson Jazz Orchestra, Chris Potter | B♭ Minor | 8 | 3A | 160 BPM | ||
| Lady Dude | The Hornheads | A♭ Major | 5 | 4B | 124 BPM | ||
| Blue Yonder | Christine Jensen | C Major | 2 | 8B | 89 BPM | ||
| Skal Brothers | Tommy Flanagan | C Major | 3 | 8B | 132 BPM | ||
| Intersecting Lines | Les Hooper Band | F Minor | 7 | 4A | 119 BPM | ||
| No Access? | Larnell Lewis | F Minor | 8 | 4A | 136 BPM | ||
| Eclipse | Frank Lacy, Mingus Big Band | F♯ Minor | 4 | 11A | 120 BPM | ||
| With Bated Breath | Zac Zinger, Andrew Gould | D♭ Major | 3 | 3B | 61 BPM | ||
| Que Bonita | The Hornheads | A♭ Major | 5 | 4B | 124 BPM | ||
| Cruisin? For A Bluessin? | Maynard Ferguson | G Minor | 5 | 6A | 127 BPM | ||
| Alma Llanera | Tommy Igoe and the Birdland Big Band | C Major | 7 | 8B | 85 BPM | ||
| Hold Music | Jacob Mann Big Band | F♯ Major | 8 | 2B | 82 BPM | ||
| Impressions | McCoy Tyner Trio | C Major | 8 | 8B | 138 BPM | ||
| Airegin | Maynard Ferguson | B♭ Minor | 5 | 3A | 169 BPM |