Paul Hertzog's ' "Round One" was released on its scheduled release date, 1989. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Round One's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Paul Hertzog's "Kickboxer: The Deluxe Edition Soundtrack" album is number 19 out of 31. On top of that, United States appears to be the country where this track was created. In terms of popularity, Round One is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Round One by Paul Hertzog to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Goku vs. Jeice & Burta | Bruce Faulconer | E Minor | 8 | 9A | 150 BPM | ||
| Rush Hour 2 - Main Title | Lalo Schifrin | F Minor | 6 | 4A | 82 BPM | ||
| Hijack | Hans Zimmer | D Major | 3 | 10B | 132 BPM | ||
| A Batman Overture | Elliot Goldenthal | D Minor | 5 | 7A | 90 BPM | ||
| Escaping Point | Tangerine Dream | F Minor | 7 | 4A | 122 BPM | ||
| That's Not A Knife | Peter Best | E Major | 2 | 12B | 120 BPM | ||
| BAD DREAM〔M-14〕 | 志熊研三 | D Major | 1 | 10B | 114 BPM | ||
| Theme from Predator | The Cinematic Film Band | D Minor | 4 | 7A | 101 BPM | ||
| On The Rooftops | Ennio Morricone | C Major | 2 | 8B | 144 BPM | ||
| Up the Mountain | Vince DiCola | A♭ Major | 8 | 4B | 136 BPM | ||
| Vault | Paul Hertzog | C Minor | 6 | 5A | 135 BPM | ||
| Too Old to Fight | Lolita Ritmanis | G Major | 4 | 9B | 120 BPM | ||
| Black-Blue-White - From "To Live And Die In L.A." Soundtrack | Wang Chung | B♭ Minor | 9 | 3A | 107 BPM | ||
| Robo & ED 209 Fight | Basil Poledouris | F♯ Major | 3 | 2B | 91 BPM | ||
| Classic Victory | Sam Spence | B♭ Major | 5 | 6B | 133 BPM | ||
| Hell's Kitchen | Graeme Revell | C Minor | 2 | 5A | 151 BPM | ||
| The Scale To Hell (Part I: Boris And The Lethal Pen/Part II: I Am Invincible) | Éric Serra | D♭ Minor | 4 | 12A | 99 BPM | ||
| Aftermath | Trevor Rabin | G Major | 2 | 9B | 73 BPM | ||
| Terminator Arrival / Reese Chased / Sarah on Motorbike | Brad Fiedel | G Minor | 2 | 6A | 79 BPM | ||
| Satan's Sister | Christopher Goulstone | D Major | 9 | 10B | 89 BPM | ||
| Hold On To The Vision - Orig '85 | Frank Harris | C Minor | 7 | 5A | 143 BPM | ||
| Danger | Sam Spence | C Minor | 5 | 5A | 126 BPM | ||
| Hunter (Theme) | London Television Orchestra | C Major | 4 | 8B | 141 BPM | ||
| Terminator Love Theme Terminator End Credits | Various Artists | B Major | 3 | 1B | 130 BPM | ||
| The Big Motorcycle Fight (From "Game Of Death") | John Barry | F Major | 5 | 7B | 115 BPM |