"Près des remparts de Séville (Carmen)" by Rise Stevens, Metropolitan Opera Orchester, Raoul Jobin had its release date on August 24, 2006. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rise Stevens's "Lebendige Vergangenheit - Risë Stevens" album is number 10 out of 15. On top of that, Austria appears to be the country where this track was created. In terms of popularity, Près des remparts de Séville (Carmen) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Près des remparts de Séville (Carmen) by Rise Stevens, Metropolitan Opera Orchester, Raoul Jobin to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ciléa: Adriana Lecouvreur, Act 1 Scene 3: "Ecco, respiro appena - lo son l'umile ancella" (Adriana) | Kiri Te Kanawa, Myung-Whun Chung | A♭ Major | 2 | 4B | 98 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
| Mignon: Ce pays enchanté n'est-ce pas l'Italie? | Ambroise Thomas, James Melton, Rise Stevens, John Gurney, Ezio Pinza, Wilfrid Pelletier | D♭ Major | 9 | 3B | 80 BPM | ||
| Gala Sequence | Renata Tebaldi, Vienna Philharmonic, Herbert von Karajan | G Major | 2 | 9B | 93 BPM | ||
| O cessate di piagarmi | Alessandro Scarlatti, Ramón Vargas | A Minor | 2 | 8A | 84 BPM | ||
| Samson and Delilah (Highlights): Act II, Scene II, "Se pourrait-il?" | Camille Saint-Saëns, Rise Stevens, Jan Peerce, Robert Merrill, Robert Shaw Chorale, NBC Symphony Orchestra, Leopold Stokowski | D Minor | 2 | 7A | 86 BPM | ||
| Die Fledermaus: Act II: Happiness, here's to health and happiness | Johann Strauss II, Oscar Danon, George London, Anna Moffo, Rise Stevens, Jeanette Scovotti, Richard Lewis, John Hauxvell, Vienna State Opera Orchestra | B♭ Major | 3 | 6B | 86 BPM | ||
| Mignon: Elle est là, prés de lui! | Ambroise Thomas, Rise Stevens, Wilfrid Pelletier | A Major | 4 | 11B | 92 BPM | ||
| Orfeo ed Euridice, Wq. 30: Act III: Aria: "Avvezza al contento" | Christoph Willibald Gluck, Pierre Monteux | A Major | 1 | 11B | 93 BPM | ||
| Orfeo ed Euridice, Wq. 30: Act I: Recitativo: "Euridice, Euridice" | Christoph Willibald Gluck, Pierre Monteux, Rome Opera Orchestra, Rise Stevens | C Minor | 2 | 5A | 168 BPM | ||
| Cilèa: L'Arlesiana, Act 2: "È la solita storia del pastore" (Federico) | Francesco Cilea, Rolando Villazón, Marcello Viotti, Munich Radio Orchestra, Muenchner Rundfunkorchester | A Minor | 1 | 8A | 168 BPM | ||
| Because You're You | Rise Stevens | G Major | 3 | 9B | 172 BPM | ||
| Rose of the World | Rise Stevens | B♭ Major | 2 | 6B | 64 BPM | ||
| Bellini: I puritani: "A festa!" (Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Les Contes d'Hoffmann: Écoutez, messieurs! | Jacques Offenbach, Rise Stevens, Mildred Miller, Richard Tucker, Clifford Harvuot, Martial Singher, Alessio De Paolis, Pierre Monteux | B♭ Major | 3 | 6B | 130 BPM | ||
| Samson and Delilah (Highlights): Act III, Scene III, "Gloire à Dagon" | Camille Saint-Saëns, Rise Stevens, Jan Peerce, Robert Merrill, Robert Shaw Chorale, NBC Symphony Orchestra, Leopold Stokowski | D Minor | 2 | 7A | 86 BPM | ||
| Così fan tutte, K. 588 / Act I: "Come scoglio" | Wolfgang Amadeus Mozart, Miah Persson, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 1 | 7B | 125 BPM | ||
| Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, "Au chapeau, je porte une aigrette" (Fiorella, Choeur) | Jacques Offenbach, John Eliot Gardiner - Choeurs De L'Opéra National De Lyon - Orch Nat Opéra De Lyon - Ghyslaine Raphanel, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | ||
| Che farò senza Euridice? | Christoph Willibald Gluck, Vesselina Kasarova, Friedrich Haider | B♭ Major | 2 | 6B | 95 BPM | ||
| Mozart: Don Giovanni, K. 527, Act 1: Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina) | Wolfgang Amadeus Mozart, Riccardo Muti, Susanne Mentzer, William Shimell, Wiener Philharmoniker | A Major | 1 | 11B | 97 BPM | ||
| Mignon: Légères hirondelles | Ambroise Thomas, Rise Stevens, Ezio Pinza, Wilfrid Pelletier | A Major | 4 | 11B | 92 BPM | ||
| Don Giovanni, K. 527: Deh vieni alla finestra | Wolfgang Amadeus Mozart, Ruggero Raimondi, Lorin Maazel, Chorus & Orchestra of the Théâtre National de l'Opera, Paris, Paris National Opera Orchestra | D Major | 2 | 10B | 75 BPM | ||
| Mignon: Mignon!... Wilhelm! | Ambroise Thomas, Ezio Pinza, James Melton, Rise Stevens, Wilfrid Pelletier | A Major | 4 | 11B | 92 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| Mascagni: Cavalleria rusticana: Easter Hymn. "Regina coeli laetare" | Pietro Mascagni, Helen Field, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink, Paul Griffiths | E♭ Major | 2 | 5B | 125 BPM |