On November 25, 1967, the song "If It Comes To That" was released by Engelbert Humperdinck. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. If It Comes To That's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "The Last Waltz". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, If It Comes To That is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With If It Comes To That by Engelbert Humperdinck having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Are My Life | Herb Alpert & The Tijuana Brass | E♭ Major | 3 | 5B | 114 BPM | ||
| How Near Is Love | Engelbert Humperdinck | A Major | 5 | 11B | 134 BPM | ||
| For All We Know | Vince Hill | A♭ Major | 3 | 4B | 111 BPM | ||
| Call Me - Stereo | Petula Clark | E Major | 7 | 12B | 156 BPM | ||
| Why Don't You Believe Me | Bobby Goldsboro | E Major | 3 | 12B | 93 BPM | ||
| I'm Yours | Eddie Fisher | C Major | 3 | 8B | 72 BPM | ||
| Quiet Nights | Engelbert Humperdinck | A Major | 5 | 11B | 134 BPM | ||
| Forever You | Sound Of Moc | C Major | 3 | 8B | 72 BPM | ||
| All Of Me | Johnnie Ray, The Buddy Cole Quartet | E♭ Major | 2 | 5B | 130 BPM | ||
| Al-Di-La | Ray Charles Singers | B Major | 7 | 1B | 109 BPM | ||
| I Will Wait For You (From Umbrellas of Cherbourg) | Steve Lawrence | D♭ Major | 4 | 3B | 122 BPM | ||
| After All Is Said And Done | Robert Goulet | G Minor | 4 | 6A | 100 BPM | ||
| Because - 2019 Remaster | The Dave Clark Five | C Major | 3 | 8B | 124 BPM | ||
| I'll Touch a Star | Terry Stafford | E♭ Major | 5 | 5B | 126 BPM | ||
| Early In The Morning | Vanity Fare | G Minor | 7 | 6A | 174 BPM | ||
| Dance With Me | Johanna D. Hall, John Joseph Hall, Engelbert Humperdinck | B♭ Major | 1 | 6B | 93 BPM | ||
| Sweet Little Thing | The Spiral Starecase | G Major | 5 | 9B | 119 BPM | ||
| April Love - Remastered | Richard Chamberlain | E♭ Major | 2 | 5B | 96 BPM | ||
| You're A Lady - Digitally Remastered 1998 | Tony Orlando & Dawn | D♭ Major | 4 | 3B | 79 BPM | ||
| Let's Give Adam and Eve Another Chance | Gary Puckett & The Union Gap | A Major | 8 | 11B | 92 BPM | ||
| The Glory of Love | Jimmy Durante | F Major | 3 | 7B | 97 BPM | ||
| What Do You Want To Make Those Eyes at Me for | Ray Peterson | C Major | 3 | 8B | 72 BPM | ||
| From Here To Eternity | Engelbert Humperdinck | C Major | 4 | 8B | 87 BPM | ||
| Could It Be | Bee Gees | F♯ Major | 7 | 2B | 134 BPM | ||
| Yours Until Tomorrow | Engelbert Humperdinck | A Major | 5 | 11B | 134 BPM |