All That Remains [Mix Cut] - Basil O'Glue Remix
Styller, Basil O'Glue
Los Angeles '12 (Mixed By Markus Schulz)
5:10 February 17, 2012
BPM
130
Key
B♭ Minor
Camelot
3A

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All That Remains [Mix Cut] - Basil O'Glue Remix by Styller, Basil O'Glue Song Details

"All That Remains [Mix Cut] - Basil O'Glue Remix" by Styller, Basil O'Glue had its release date on February 17, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Los Angeles '12 (Mixed By Markus Schulz)" album is number 5 out of 27. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, All That Remains [Mix Cut] - Basil O'Glue Remix's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

We consider the tempo marking of All That Remains [Mix Cut] - Basil O'Glue Remix by Styller, Basil O'Glue to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Music Key

This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-5.363 dB
Acousticness
0%
Danceability
64%
Energy
98%
Instrumentalness
70%
Liveness
47%
Loudness
91%
Speechiness
7%
Valence
19%

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ISRC
NLF711200905
Label
L-M Records/RCA Records