"Míralo Otra Vez" by Alejandro Amenábar had its release date on April 12, 1996. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Tesis (Original Motion Picture Soundtrack)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Spain. The popularity of Míralo Otra Vez is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Míralo Otra Vez by Alejandro Amenábar having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dolce Affetto | Elena Vesova | A Minor | 0 | 8A | 67 BPM | ||
| 92nd time | Yasuhiro Maeda | B♭ Minor | 3 | 3A | 160 BPM | ||
| Absorbiendo Positividad | Ninfas De Ultramar | B♭ Minor | 3 | 3A | 160 BPM | ||
| Boxer's Infatuation | Antony Partos | B♭ Minor | 3 | 3A | 160 BPM | ||
| Walking and slowly dancing together | Jalaapeno | B Minor | 0 | 10A | 92 BPM | ||
| Las Dos Caras | Bellum Sanctus | D Minor | 2 | 7A | 138 BPM | ||
| The Staff Room | Arnaud Toulon | C Major | 1 | 8B | 64 BPM | ||
| The Physician Theme (Bonus Track) | Ingo Ludwig Frenzel | F♯ Minor | 2 | 11A | 63 BPM | ||
| Helen Falls | Natalie Holt, Andreas Gutuen Aaser | C Major | 1 | 8B | 138 BPM | ||
| The Wife | Jocelyn Pook | C Minor | 1 | 5A | 97 BPM | ||
| El Accidente | Alejandro Amenábar | C Minor | 1 | 5A | 141 BPM | ||
| Thinking Aloud | B.S.O. Varios | E♭ Minor | 1 | 2A | 81 BPM | ||
| Créditos finales | Alejandro Amenábar | F Major | 1 | 7B | 174 BPM | ||
| Twelve Fellow Survivors | Dave Porter | C Major | 1 | 8B | 74 BPM | ||
| Respect of a New Day | Ernesto Vallini, Neon Lilith, Belinda J Crossward | D♭ Minor | 4 | 12A | 88 BPM | ||
| Eir's Solitude | Jeremy Soule | B♭ Minor | 3 | 3A | 160 BPM | ||
| That's What Friends Are For | Hannes De Maeyer, Ruben de Gheselle | E Minor | 1 | 9A | 113 BPM | ||
| Act III: The Ascension | ARKTOS | D Minor | 0 | 7A | 75 BPM | ||
| Teddy and Clara | Federico Jusid | B♭ Minor | 3 | 3A | 160 BPM | ||
| Furious Compromise | Valhalla Orquestra, Charles Honeywell | F Major | 3 | 7B | 85 BPM | ||
| Dark Hooks | Konfusia Clayman, Konfusi Clayton | B Minor | 3 | 10A | 120 BPM | ||
| Fellowship | Thomas Newman, Thomas Bowes, London Voices, Ben Parry, Terry Edwards, Grace Davidson, George Doering, Phil Todd, Sonia Slany, Paul Clarvis, Nick Cooper, Andrew Cronshaw | G Minor | 2 | 6A | 81 BPM | ||
| Eleanor of Aquitaine | Federico Jusid | A Minor | 6 | 8A | 61 BPM | ||
| Geum-Jee's Threat | Cho Young-Wuk | B♭ Minor | 3 | 3A | 160 BPM | ||
| Mejor Sin Compañia | Las Guerreras | B♭ Minor | 3 | 3A | 90 BPM |