On January 1, 2011, the song "Subrahmanyam" was released by Parupalli Sri Ranganath. This song is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The track order of this song in Parupalli Sriranganath's "Harihara Sutha Ayyappa" album is number 1 out of 8. On top of that, India appears to be the country where this track was created. Subrahmanyam is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Subrahmanyam by Parupalli Sri Ranganath to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sakalakalavalli Maalai | Mahanadhi Shobana | G Major | 6 | 9B | 158 BPM | ||
| Kuil Pathu | SIVA DAMODHARAN AYYA | C Minor | 8 | 5A | 160 BPM | ||
| Sri Lalitha Shiva Jyothi | Padmaja Srinivas | B♭ Minor | 5 | 3A | 93 BPM | ||
| Nithyanandakari (From "Om Sakthi Om Om Sakthi Om") | Ramana | F Major | 5 | 7B | 140 BPM | ||
| Manideepa Varnana | Sriramachandra Murthy, Lasya Mayuka, Thadepalli Srivani | F Minor | 7 | 4A | 140 BPM | ||
| Srinivasa-Tirumalesha | Parupalli Ranganath | D Major | 6 | 10B | 114 BPM | ||
| Amma Durgamma Thalli | Gangaputra Narasinga Rao | F♯ Major | 8 | 2B | 146 BPM | ||
| AZHAGANA PAZHANI MALAI ANDAVA | IDHAYAM MUSICALS, RAMYA NANDAKUMAR | C Minor | 7 | 5A | 156 BPM | ||
| Chakkani Thalliki Changu Bala | Bhukya Praveen kumar, Padmaja Sreenivasan, Annamacharya | C Major | 4 | 8B | 144 BPM | ||
| Naalaum Aindhu | V2S2 | F Minor | 5 | 4A | 150 BPM | ||
| Omkara Roopa Sri Anjaneya | Ramakrishna | D Major | 6 | 10B | 109 BPM | ||
| Mantra Pushpam | Sri Hari Atchutha Rama Sastry | B♭ Major | 4 | 6B | 105 BPM | ||
| Rudra Kavacham | M. K. Sankaran Namboothiri | D♭ Major | 4 | 3B | 127 BPM | ||
| Nagendra Haaraya | Aravind Sriram, Somayajula Murty, Maharajapuram Ramu | D Major | 4 | 10B | 120 BPM | ||
| Ashtalakshmi Kavacham | Ramana, Vijayalakshmi Sarma | D Major | 4 | 10B | 122 BPM | ||
| Yaaru Baruvaru Ninna | Puttur Narasimha Nayak | D Minor | 4 | 7A | 78 BPM | ||
| Varasiddi Vinayaka Kalyanam | Vijayamani sarma, B.Ramana | C Minor | 4 | 5A | 100 BPM | ||
| Sri Venkateswara Kavacham Stothram | Nitya Santoshini | C Major | 3 | 8B | 130 BPM | ||
| Ashleshadali | B. R. Chaya | B♭ Major | 6 | 6B | 137 BPM | ||
| Sri Venkateshwara Ashtottaram | Parupalli Sriranganath | D♭ Major | 2 | 3B | 113 BPM | ||
| Mangalamani Mangalamani | Vedavathi Prabhakar | G Major | 2 | 9B | 145 BPM | ||
| Malenadina E Sobagina | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, Soumya | G Minor | 3 | 6A | 112 BPM | ||
| Vachanadalli Namamrutha | Manjula Gururaj | F♯ Major | 8 | 2B | 135 BPM | ||
| Brahma Kadigina Paadamu | B.Ramana | G Major | 5 | 9B | 161 BPM | ||
| Arumugam Arumugam | Baladesikan | G Major | 5 | 9B | 128 BPM |