"The Stranger" by David Arnold, Michael Price had its release date on January 2, 2017. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. The Stranger's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Sherlock Series 4: The Six Thatchers (Original Television Soundtrack)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. The Stranger is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Stranger by David Arnold, Michael Price having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Mass | Andy Maranell, Andy Mardan | C Minor | 2 | 5A | 85 BPM | ||
| The Churning Seas of London | Austin Wintory, Assassin's Creed | A Minor | 1 | 8A | 123 BPM | ||
| Light-fingered | David Arnold, Michael Price | B♭ Major | 2 | 6B | 112 BPM | ||
| Sorcery and Sudden Vengeance - Score | Harry Gregson-Williams | D♭ Major | 3 | 3B | 56 BPM | ||
| Dark Times | David Arnold, Michael Price | D Major | 1 | 10B | 86 BPM | ||
| The Settling of a Daemon | Lorne Balfe | C Major | 1 | 8B | 142 BPM | ||
| Crossing Mars | Harry Gregson-Williams | C Minor | 1 | 5A | 70 BPM | ||
| All Lit Up | Craig Armstrong | G Major | 1 | 9B | 140 BPM | ||
| Bone & Marrow | Christophe Beck, Michael Paraskevas | D Major | 7 | 10B | 172 BPM | ||
| We Stay Together | Fernando Velázquez | E♭ Major | 2 | 5B | 75 BPM | ||
| Night Manager Desk | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| All the Great Philanthropists of Our Time Are Businessmen | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Motorcycle Chase | John Powell, David Buckley | F Major | 6 | 7B | 130 BPM | ||
| Blanc's Tale, Pt. II | Nathan Johnson | G Major | 2 | 9B | 101 BPM | ||
| Final Act | David Arnold, Michael Price | G Major | 3 | 9B | 120 BPM | ||
| Luisa's Birthmark | Tom Tykwer, Johnny Klimek, Reinhold Heil | A♭ Major | 1 | 4B | 65 BPM | ||
| Kidnapped / Galleon Dog Fight | John Powell | D Major | 6 | 10B | 123 BPM | ||
| The Eyes Have It | Michael Giacchino | A♭ Major | 1 | 4B | 64 BPM | ||
| Surprise Visitor | Mike Higham, Matthew Margeson | A♭ Major | 1 | 4B | 128 BPM | ||
| The Wailing Wall | Patrick Doyle | F Major | 4 | 7B | 132 BPM | ||
| The Plan | Joe Kraemer | D Minor | 1 | 7A | 120 BPM | ||
| U-Boats | Alexandre Desplat, London Symphony Orchestra | A Minor | 3 | 8A | 180 BPM | ||
| The Good Curse | Mark Isham, Cindy O'Connor | F Minor | 1 | 4A | 66 BPM | ||
| Départ chez la Bête | Pierre Adenot | A Minor | 2 | 8A | 69 BPM | ||
| Fake Passport | Hesham Nazih | E Minor | 0 | 9A | 65 BPM |