On May 9, 1959, the song "Keekaru Wee Wage Mage Golaya" was released by Ramaiah Muthuswamy, Dharmadasa Walpola, Karunaratne Abeysekera. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Keekaru Wee Wage Mage Golaya's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Purusha Rathnaya". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Sri Lanka. Keekaru Wee Wage Mage Golaya is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Keekaru Wee Wage Mage Golaya by Ramaiah Muthuswamy, Dharmadasa Walpola, Karunaratne Abeysekera having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mage Deshaya | Rohana Weerasinghe, Nanda Malini | A Major | 4 | 11B | 70 BPM | ||
| Hanika Yaman Pulli Gono | Ramaiah Muthuswamy, Dharmadasa Walpola, W Benedict Fernando | E♭ Major | 6 | 5B | 93 BPM | ||
| Bhalo Lage | Dolly Ghosh | C Major | 3 | 8B | 113 BPM | ||
| Mulu Muhudama Handai | Priya Suriyasena | A Major | 5 | 11B | 118 BPM | ||
| Mujhe Khokar Tujhe Akhar Milla Kiya | Ghulam Ali | G Major | 6 | 9B | 190 BPM | ||
| Sanda Thani Wela | Milton Mallawaarachchi, Angeline Gunathilake, Samitha Mudunkotuwa | G Major | 6 | 9B | 198 BPM | ||
| Tumi Surjya Tumi Chandra | Asha Bhosle, Chittapriya Mukherjee, Amar Roy | F Minor | 2 | 4A | 84 BPM | ||
| Basan Paro Ma Basan Paro | Pannalal Bhattacharya | B Major | 3 | 1B | 61 BPM | ||
| Mee Pirunu Suwanda - Radio Version | H.R. Jothipala, Anjaleen Gunathilake | F Minor | 2 | 4A | 142 BPM | ||
| Patha Indan Api | Rathna Sri Wijesinghe, Victor Rathnayake | D Minor | 5 | 7A | 147 BPM | ||
| Aruna Udaye Pipunu Mala Se | Ramaiah Muthuswamy, J A Milton Perera, Karunaratne Abeysekera | C Minor | 4 | 5A | 94 BPM | ||
| Shiter Shishir Bheja Raat | Bhupen Hazarika | B♭ Major | 3 | 6B | 133 BPM | ||
| Kath Kawuruwath Nathi Bawa | Amarasiri Peiris | A Minor | 2 | 8A | 96 BPM | ||
| Moodayid Kempand | Puttur Narasimha Nayak, B. R. Chaya, Ratnamala Prakash | G Major | 6 | 9B | 91 BPM | ||
| Me Uyan Kone | Chandralekha Perera | C Major | 5 | 8B | 176 BPM | ||
| Piduru Thalagala Kandata | Prince Udaya Priyantha | A♭ Major | 5 | 4B | 135 BPM | ||
| Dazan Khanek Pola | Gostho Gopal Das | E Major | 6 | 12B | 104 BPM | ||
| Sri Manjunatha | Dr.Rajkumar | F Minor | 7 | 4A | 142 BPM | ||
| Ami Manush Hoia | Parikshit Bala | D♭ Major | 5 | 3B | 173 BPM | ||
| Chhariya Jeyo Na Aar | Manabendra Mukherjee | A Minor | 6 | 8A | 121 BPM | ||
| Waradata Samawa | Kingsley Peiris | G Minor | 6 | 6A | 144 BPM | ||
| Supem Lowe Kusum Saraa | Karunaratne Abeysekera, J A Milton Perera, Ramaiah Muthuswamy | F Major | 4 | 7B | 162 BPM | ||
| Hasiru Hasiru Bhoomi | S. P. Balasubrahmanyam, S. Janaki | C Minor | 5 | 5A | 86 BPM | ||
| Nandinina Bhagya | Puttur Narasimha Nayak, B. R. Chaya, Ratnamala Prakash | G Minor | 5 | 6A | 127 BPM | ||
| Kisi Ki Yaad Kou Seeney | Abida Parveen | F♯ Minor | 3 | 11A | 98 BPM |