"Collegium Regale Service, Evensong: II. Nunc dimittis" by Herbert Howells, Stephen Layton, Owain Park, Jamie Roberts, The Choir Of Trinity College, Cambridge had its release date on April 1, 2016. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Herbert Howells, Stephen Layton, The Choir Of Trinity College, Cambridge's "Howells: Collegium Regale & Other Choral Works" album is number 3 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Collegium Regale Service, Evensong: II. Nunc dimittis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Collegium Regale Service, Evensong: II. Nunc dimittis by Herbert Howells, Stephen Layton, Owain Park, Jamie Roberts, The Choir Of Trinity College, Cambridge to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gladsome Light | Pavel Chesnokov, Tenebrae, Nigel Short | A Major | 0 | 11B | 116 BPM | ||
| Blessed Be That Maid Mary | St Martin's Voices | F Major | 1 | 7B | 88 BPM | ||
| Abide with me | William Henry Monk, Choir of St John's, Elora, Paul Halley | E♭ Major | 1 | 5B | 157 BPM | ||
| Regina caeli | Ivo Antognini, The Choir Of Trinity College, Cambridge, Stephen Layton | D♭ Minor | 1 | 12A | 136 BPM | ||
| Quatre Motets sur des thèmes grégoriens, Op. 10: No. 2, Tota pulchra es | Maurice Duruflé, The Choir Of Trinity College, Cambridge, Richard Marlow, Mark Williams | G Minor | 0 | 6A | 59 BPM | ||
| Psalm 10 "Why Standest Thou So Far Off, O Lord" | Percy C. Buck, Robert Ashfield, Rochester Cathedral Choir, Roger Sayer, Barry Ferguson | C Major | 1 | 8B | 79 BPM | ||
| The Mass: Agnus Dei | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
| The Blue Bird | Charles Villiers Stanford, Cantorum Chamber Choir, Melissa Heath, Steve Durtschi | F♯ Major | 1 | 2B | 124 BPM | ||
| Nocturnes: Sure On This Shining Night | Voce | D♭ Major | 0 | 3B | 128 BPM | ||
| Urlicht | Gustav Mahler, Clytus Gottwald, Collegium Vocale Hannover, Florian Lohmann | D♭ Major | 0 | 3B | 138 BPM | ||
| When to the Temple Mary Went | Johannes Eccard, Christ Church Cathedral Choir, Stephen Farr, Stephen Darlington | D Minor | 0 | 7A | 78 BPM | ||
| Stabat Mater: Stabat Mater: IV. Quae moerebat et dolebat | Francis Poulenc, Cappella Amsterdam, Daniel Reuss, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra | A♭ Major | 1 | 4B | 92 BPM | ||
| O gloriosa virginum | Krzysztof Penderecki, Latvian Radio Choir, Sigvards Kļava | F Minor | 1 | 4A | 81 BPM | ||
| The Tyger | Emil Råberg, Erik Westberg Vocal Ensemble, Virve Karen, Erik Westberg | F Minor | 0 | 4A | 143 BPM | ||
| Mass for Double Choir: V. Agnus dei | Frank Martin, Westminster Choir, Joe Miller | D Major | 1 | 10B | 83 BPM | ||
| Charles Villiers Stanford: The blue bird | Lumen Valo | F♯ Major | 0 | 2B | 171 BPM | ||
| Here is the Man | Hilgrove Kenrick, Ǣfendrēama, Chloe May Evans | F Minor | 3 | 4A | 138 BPM | ||
| Requiem: VIII. Libera Me | Michael John Trotta, Tenebrae, Nigel Short | E♭ Major | 0 | 5B | 111 BPM | ||
| A Hymn for St Cecilia | Herbert Howells, The Choir Of Trinity College, Cambridge, Stephen Layton | A♭ Major | 2 | 4B | 136 BPM | ||
| Praise, My Soul the King of Heaven: Praise, my soul, the King of Heaven | John Goss, Choir of St George's Chapel, Windsor Castle, Marlowe Brass Ensemble, Timothy Byram-Wigfield | D Major | 1 | 10B | 83 BPM | ||
| Hail to the Lord's Anointed - (Cruger) | Johann Crüger, The Choir Of Trinity College, Cambridge | F Major | 1 | 7B | 86 BPM | ||
| Sacred Place: IV. Mi Shebeirach | Alex Berko, Conspirare, Chelsea Helm, Carla McElhaney, Sandy Yamamoto, Daniel Kopp, Craig Hella Johnson | D Major | 4 | 10B | 78 BPM | ||
| Carpe Diem | Franco Prinsloo, Vox Chamber Choir | B Major | 1 | 1B | 138 BPM | ||
| Psalm 38 "Put Me Not to Rebuke, O Lord in Thy Anger" | Jonathan Battishill, York Minster Choir, John Scott Whiteley, Philip Moore | B♭ Minor | 1 | 3A | 136 BPM | ||
| Drop, Drop Slow Tears | Orlando Gibbons, The Choir of HM Chapel Royal, Hampton Court Palace, Carl Jackson | F Major | 0 | 7B | 131 BPM |