Prototype's ' "Half Life" was released on its scheduled release date, February 12, 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Trinity". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. In terms of popularity, Half Life is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Half Life by Prototype having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Narcosynthesis | Nevermore | F Minor | 10 | 4A | 135 BPM | ||
| Mind as Universe | Persefone | D Major | 10 | 10B | 139 BPM | ||
| A Venutian Spring | Angel Vivaldi | G Major | 10 | 9B | 200 BPM | ||
| Call To The Warrior | Affiance | G Major | 10 | 9B | 142 BPM | ||
| Crucify | James Labrie | G Major | 10 | 9B | 95 BPM | ||
| Communion | Prototype | A♭ Major | 9 | 4B | 95 BPM | ||
| Chopwork II | Soul Remnants | A Major | 10 | 11B | 104 BPM | ||
| Alpha | Periphery | B♭ Minor | 9 | 3A | 91 BPM | ||
| Caprici Di Diablo | Yngwie Malmsteen | D♭ Major | 10 | 3B | 80 BPM | ||
| Technical Difficulties | Racer X | E Minor | 9 | 9A | 120 BPM | ||
| Retrospect | Rest, Repose | E Major | 9 | 12B | 83 BPM | ||
| The Inevitable End | Etherius | B Minor | 10 | 10A | 105 BPM | ||
| Infinity | Stratovarius | G Major | 7 | 9B | 134 BPM | ||
| Autotheist Movement III: Deconsecrate | The Faceless | D♭ Major | 9 | 3B | 110 BPM | ||
| The Adventures of Jabubu | An Endless Sporadic | C Major | 7 | 8B | 95 BPM | ||
| Fall Of Pangea | Valient Thorr | B Minor | 9 | 10A | 79 BPM | ||
| Beneath the Machine | Sanctity | D Major | 10 | 10B | 174 BPM | ||
| Cerberus | Ola Englund | B♭ Major | 9 | 6B | 110 BPM | ||
| Outside the Inside | Dark Age | F♯ Major | 9 | 2B | 93 BPM | ||
| Hour Of Rats | The Red Chord | B♭ Minor | 10 | 3A | 156 BPM | ||
| Steal Away the Light | Triosphere | F♯ Major | 10 | 2B | 144 BPM | ||
| Autotheist Movement I: Create | The Faceless | F Minor | 7 | 4A | 105 BPM | ||
| Build Me Up, Break Me Down | Dream Theater | A Major | 9 | 11B | 188 BPM | ||
| Final Product | Nevermore | A♭ Major | 10 | 4B | 148 BPM | ||
| Combat Mosh | Lich King | A♭ Major | 10 | 4B | 102 BPM |