Harry James's ' "Or Words To That Effect - Rerecorded" was released on its scheduled release date, June 15, 2015. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Or Words To That Effect - Rerecorded's duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 37 in Essential Collection (Rerecorded) by Harry James. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Or Words To That Effect - Rerecorded is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Or Words To That Effect - Rerecorded by Harry James is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Under a Blanket of Blue | Glen Gray, Kenny Sargent, Casa Loma Orchestra | F Minor | 3 | 4A | 168 BPM | ||
| Amapola | Jimmy Dorsey | C Minor | 3 | 5A | 100 BPM | ||
| Body and Soul | Harry James | F Minor | 5 | 4A | 76 BPM | ||
| Twilight Time | Les Brown | G Major | 2 | 9B | 82 BPM | ||
| If You Ever Should Leave | Ella Fitzgerald and Her Savoy Eight | A Minor | 1 | 8A | 109 BPM | ||
| Racing with the Moon | Vaughn Monroe | A Major | 3 | 11B | 138 BPM | ||
| Why Don't We Do This More Often | Kay Kyser & His Orchestra, Ginny Simms | F Minor | 3 | 4A | 168 BPM | ||
| If I Could Be with You (One Hour Tonight) | Kay Starr | F Minor | 3 | 4A | 168 BPM | ||
| My Blue Heaven | Gene Austin | E♭ Major | 0 | 5B | 66 BPM | ||
| Love Is the Sweetest Thing | Al Bowlly | D♭ Major | 1 | 3B | 200 BPM | ||
| Takin' A Chance On Love | Jimmy Dorsey | D Minor | 4 | 7A | 164 BPM | ||
| You're the Cream in My Coffee | Annette Hanshaw | G Minor | 1 | 6A | 143 BPM | ||
| A Fine Romance | Martha Tilton | A♭ Major | 2 | 4B | 77 BPM | ||
| March Winds and April Showers | Ruth Etting | A Minor | 2 | 8A | 138 BPM | ||
| I'm In The Mood For Love | Julie London | C Major | 1 | 8B | 124 BPM | ||
| You Made Me Love You | Harry James | G Minor | 2 | 6A | 85 BPM | ||
| Hurry Home | Russ Morgan and His Orchestra | F Minor | 3 | 4A | 168 BPM | ||
| Life Is Just a Bowl of Cherries | Jack Hylton & His Orchestra | D♭ Minor | 4 | 12A | 155 BPM | ||
| Song of the Volga Boatman | Members Of The Glenn Miller Orchestra | B♭ Minor | 4 | 3A | 79 BPM | ||
| Something Cool - Mono | June Christy | B♭ Minor | 1 | 3A | 72 BPM | ||
| It's Been a Long Time | Carroll Gibbons | F Major | 2 | 7B | 104 BPM | ||
| They Say | Helen Forrest, Artie Shaw | D Major | 2 | 10B | 123 BPM | ||
| Mairzy Doats | The Merry Macs | F Minor | 2 | 4A | 157 BPM | ||
| Please, Mr. Sun | Johnnie Ray | E Minor | 1 | 9A | 176 BPM | ||
| My Melancholy Baby | Jack Teagarden | F Minor | 2 | 4A | 143 BPM |