Michaël Grébil's 'Improvisació llaüt' had a release date set for December 2, 2016. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jordi Savall's "Llibre Vermell de Montserrat" album is number 15 out of 22. In terms of popularity, Improvisació llaüt is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Improvisació llaüt by Michaël Grébil to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Antiphona O, quam mirabilis est | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Kamila Mazalová | G Major | 0 | 9B | 63 BPM | ||
| Herbst, sagst du | Zahava Seewald, Michaël Grébil | D Major | 1 | 10B | 106 BPM | ||
| La Tierche Estampie roial | Le Manuscrit du Roi, Jordi Savall, Hespèrion XXI | A Minor | 2 | 8A | 107 BPM | ||
| De Fuenllana : Christe | Heringman | A Minor | 0 | 8A | 62 BPM | ||
| Crabbe Schaw (Intrada) | Johann Grabbe, Capella De La Torre, Katharina Bauml | A Minor | 2 | 8A | 144 BPM | ||
| Hit in the Middle | Tobias Hume, Labyrinto, Paolo Pandolfo | E Major | 0 | 12B | 101 BPM | ||
| Danseryes: Ronde Warum | Tylman Susato, Musica Antiqua, Christian Mendoze | D Minor | 3 | 7A | 115 BPM | ||
| The Dancing Master: Greensleeves | John Playford, The Broadside Band, Jeremy Barlow | F Major | 0 | 7B | 182 BPM | ||
| Prologue: L’Orfeo, Ritornello (The Ritual of Initiation) | The Wandering Bard, Claudio Monteverdi | G Major | 0 | 9B | 81 BPM | ||
| Affluens deliciis David Regis filia (Sequentia) | Hildegard von Bingen, La Reverdie | N/A | N/A | N/A | 0 BPM | ||
| Gintzler : Pater noster | Heringman | D Minor | 0 | 7A | 78 BPM | ||
| The Apparitions of Phantasos | Michael Levy | E Major | 0 | 12B | 78 BPM | ||
| Carillon | Ennemond Gaultier, Toyohiko Satoh | D♭ Minor | 1 | 12A | 58 BPM | ||
| The Song of Calliope | Michael Levy | A♭ Minor | 0 | 1A | 74 BPM | ||
| So ben mi chi ha bon tempo | Cesare Negri, Baltimore Consort | G Minor | 1 | 6A | 130 BPM | ||
| Basse-danse Jouissance vous donneray (Arr. for Wind Ensemble and Percussion by Pascale Boquet) | Thoinot Arbeau, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
| La Parma | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | F Major | 0 | 7B | 139 BPM | ||
| Bassadanza cupido | Guglielmo Ebreo da Pesaro, La Rossignol | G Minor | 0 | 6A | 91 BPM | ||
| Aubade | Richard de Semilli, La Camerata de Paris | C Major | 0 | 8B | 90 BPM | ||
| Chansons (arr. for voice and chamber ensemble): Resvelons nous | Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch | A Minor | 1 | 8A | 134 BPM | ||
| O eterne deus | Hildegard von Bingen, Matelda Viola, Stefano Sabene, Schola Romana Ensemble | G Major | 1 | 9B | 71 BPM | ||
| In Nomine III A 5 (Woodcock) | Jordi Savall | G Minor | 0 | 6A | 74 BPM | ||
| Symphonia armonie celestium revelationum (Excerpts): No. 33, O cohors milicie | Hildegard von Bingen, Sabine Lutzenberger, Baptiste Romain | D Major | 0 | 10B | 77 BPM | ||
| Quant je sui mis au retour | Guillaume de Machaut, Marc Mauillon, Pierre Hamon, Viva Biancaluna Biffi, Angélique Mauillon, Michaël Grébil | B Major | 1 | 1B | 87 BPM | ||
| Danserye: Basse danse: No. 1, Dont vient cela – Reprise – Dont vient cela (Arr. L. Czidra) | Tylman Susato, Camerata Hungarica, László Czidra | D Minor | 1 | 7A | 101 BPM |