Susannah McCorkle's 'Thief In The Night' had a release date set for January 1, 1993. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 14 in From Bessie To Brazil by Susannah McCorkle. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Thief In The Night is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Thief In The Night by Susannah McCorkle is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Concentrate On You | Susannah McCorkle | A♭ Major | 1 | 4B | 82 BPM | ||
| I'm Confessin' That I Love You | Stephane Wrembel | G Major | 3 | 9B | 84 BPM | ||
| Why Don't You Do Right | NYC Jazz Quartett | E♭ Minor | 3 | 2A | 79 BPM | ||
| Quoi, Quoi, Quoi | Sarah McKenzie | D♭ Minor | 4 | 12A | 170 BPM | ||
| I Was Doing All Right | Barbara Morrison | C Major | 3 | 8B | 80 BPM | ||
| Satin Doll | Lorez Alexandria | A Minor | 2 | 8A | 121 BPM | ||
| You're The Top | Patricia Barber | F Major | 3 | 7B | 131 BPM | ||
| As Time Goes By | Billie Holiday | E Minor | 1 | 9A | 78 BPM | ||
| Jimmy Jazz | Carla Bruni | A Major | 4 | 11B | 104 BPM | ||
| Monkey-see And Monkey-Do | Tok Tok Tok | B♭ Minor | 1 | 3A | 126 BPM | ||
| I Know You Know | Kevin Mahogany | D♭ Major | 2 | 3B | 115 BPM | ||
| They Can't Take That Away From Me | Susannah McCorkle | G Minor | 1 | 6A | 173 BPM | ||
| Body and Soul | Tierney Sutton, Serge Merlaud | E Minor | 0 | 9A | 64 BPM | ||
| Yours | Sara Gazarek | G Major | 2 | 9B | 117 BPM | ||
| Will You Love Me Tomorrow? | Ann Hampton Callaway | C Major | 2 | 8B | 82 BPM | ||
| They Say It's Spring | Clare Teal | C Major | 2 | 8B | 128 BPM | ||
| Stompin' at the Savoy | Eva sur Seine | F Minor | 2 | 4A | 121 BPM | ||
| Satin Doll | Carol Sloane, Roland Hanna, George Mraz, Richie Pratt | C Major | 2 | 8B | 136 BPM | ||
| It's All Right with Me (with Biréli Lagrène Gipsy Project) | Sara Lazarus | G Minor | 5 | 6A | 107 BPM | ||
| Solitude | Kandace Springs, Chris Potter | G Major | 3 | 9B | 133 BPM | ||
| Petite fleur | Jill Barber | A Minor | 2 | 8A | 115 BPM | ||
| Men Are Like Streetcars | Susannah McCorkle | G Major | 3 | 9B | 99 BPM | ||
| Do Nothin' Till You Hear from Me | Mose Allison | A♭ Major | 3 | 4B | 84 BPM | ||
| I Love Paris | Annie Ross | B♭ Major | 1 | 6B | 140 BPM | ||
| Smoke Gets In Your Eyes/All the Things You Are | Roberta Gambarini | D Major | 2 | 10B | 117 BPM |