On April 1, 2010, the song "Vighna Hartak" was released by Hemant. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Vighna Hartak's duration is considered a little bit shorter than the average duration of a typical track. The song is number 72 out of 92 in Bhakti Sagar by Vikram. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Vighna Hartak is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Vighna Hartak by Hemant is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kalya Ghodyache Pay Vaje | Nanda Bhamre | G Minor | 6 | 6A | 82 BPM | ||
| Baabul Ke Angnwa | Kalpana | F♯ Major | 4 | 2B | 114 BPM | ||
| Bhola Aadivashi Chhaiya | Kamlesh Barot | F♯ Major | 5 | 2B | 82 BPM | ||
| Re Ho Re Madi | Appu | A♭ Major | 6 | 4B | 93 BPM | ||
| Siyaram Vivah | Tripti Shakya | E Major | 6 | 12B | 147 BPM | ||
| Galyan Sachali - Version 2 | Shrikant Narayan, Santosh Naik, Aanat Panchal, Norin Rodrix, Trupti Chavan, Beni Fernandis, Jesita Desoja, Uttara Kelkar, Hemant, Varsha Ghanekar, GOLA, Lio, Aarpana Mayekar, Beni Babush, Jokim | F♯ Major | 8 | 2B | 127 BPM | ||
| Praniya Bhajile Ne | Hari Bharwad | F Major | 6 | 7B | 151 BPM | ||
| Sabka Malik Ek Hai | Satyen | F Major | 3 | 7B | 70 BPM | ||
| Jayavenni Jagadambege | Mahalakshmi Iyer | F Major | 6 | 7B | 166 BPM | ||
| Banki bihari jay ho tumari | shradey shri mridul krishna shashtri ji maharaj | F♯ Major | 6 | 2B | 82 BPM | ||
| Thathri Chhod Chala Banjara | Madan Rai | B Major | 4 | 1B | 79 BPM | ||
| Mor Ganw Ke Shitla Bhawani | Lokeshwari Sen, Indrani Verma | G Major | 8 | 9B | 140 BPM | ||
| Ae Gujjari Mol Amol Humko Makhan Jara Chakhai Dijo | Vijay Soni | G Major | 7 | 9B | 130 BPM | ||
| Rba Me Aagya | Hemant Gurjar, Hemant | B Major | 5 | 1B | 106 BPM | ||
| Prabhu Aap Base Vrindavan Mein Meri Umar Guzar Gayi Gokul Mein | Deeksha Jangra | A Minor | 7 | 8A | 100 BPM | ||
| Mysorinali | Puttur Narasimha Nayak | F♯ Major | 5 | 2B | 112 BPM | ||
| Jai Kanha Kala (Gujrati Krishna Aarti) | Shivram Parmar, Chandra Kamal | F♯ Major | 8 | 2B | 95 BPM | ||
| Panyane Marali | Nanda Bhamre | G Minor | 6 | 6A | 82 BPM | ||
| Tari Hari Nana Udge Agasa | Shraddha, Sajal | A♭ Minor | 9 | 1A | 116 BPM | ||
| Sai Baba Ki Sunlo Kahani | Manish Tiwari | E♭ Minor | 4 | 2A | 132 BPM | ||
| Bala Ji Pyare | Bhai Sunil Rawat | G Major | 4 | 9B | 136 BPM | ||
| Andhakar man ka mite | Brahma Kumaris | E Major | 5 | 12B | 142 BPM | ||
| Tere Dar Pe Sar Jhukaya | Pravin Mahamuni | A Major | 8 | 11B | 72 BPM | ||
| Aarti Ganga Maiya Ki | Rajesh Bisen | A♭ Major | 5 | 4B | 105 BPM | ||
| Dove Hodeyo | Hemant, Chetan | A Major | 6 | 11B | 120 BPM |