Gene Ross's 'whatAwaste' had a release date set for August 5, 2025. whatAwaste is considered explicit and may contain foul language. This song is about 3 minutes and 7 seconds, which is about the average length of a typical song. The track order of this song in Gene Ross's "Mutual Conversations About Ending It All" album is number 3 out of 3. Based on our statistics, whatAwaste's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of whatAwaste by Gene Ross to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In Memory of | The Coterie | A♭ Major | 8 | 4B | 100 BPM | ||
| Rooftop Junkies | Ghost Runner On Third | A Major | 4 | 11B | 140 BPM | ||
| Shelob | Reality. | A♭ Major | 9 | 4B | 110 BPM | ||
| Afraid | Waiting 4 April | F♯ Minor | 9 | 11A | 174 BPM | ||
| Mutual Conversations About Ending It All | Gene Ross, Colton Ray | B♭ Minor | 9 | 3A | 174 BPM | ||
| The Walls Between Us | Paddock Park | G Minor | 9 | 6A | 174 BPM | ||
| It's Worth the Drive to Acton | Sydney | D Minor | 8 | 7A | 117 BPM | ||
| I Will Destroy The Wisdom Of The Wise | A Bullet for Pretty Boy | D Minor | 9 | 7A | 175 BPM | ||
| The Invigorating Tale Of Robert Francis Allen The Third | Ashes At Last | A Major | 8 | 11B | 59 BPM | ||
| Calling This Healing | Car Underwater | F Major | 8 | 7B | 182 BPM | ||
| Make Me Leave | Knife Dance | C Minor | 9 | 5A | 112 BPM | ||
| My Escape | Heartbent | D♭ Major | 9 | 3B | 120 BPM | ||
| Between the Devil and the Deep Blue Sea | Forever Wings Fold | D Major | 9 | 10B | 168 BPM | ||
| You're So Cute I Could Beat You Up | He Said She's Dead | D♭ Major | 10 | 3B | 126 BPM | ||
| Stop Signs | Coraline's Collapse | G Major | 9 | 9B | 140 BPM | ||
| Eris Doesn't Want Precipitate | Know Margaret | B Minor | 7 | 10A | 180 BPM | ||
| Serrated Seduction | Delilah | A♭ Major | 8 | 4B | 97 BPM | ||
| Rose Garden | Stanch | E♭ Minor | 6 | 2A | 143 BPM | ||
| The Hope I Confide In | A Bullet for Pretty Boy | A♭ Major | 8 | 4B | 96 BPM | ||
| Miami Nights | Lower Definition | F Minor | 9 | 4A | 84 BPM | ||
| Parting Gift | Commoner | C Minor | 9 | 5A | 75 BPM | ||
| Die Together | Gene Ross | A Minor | 8 | 8A | 90 BPM | ||
| My Silhouette | Arms Like Yours | D Minor | 9 | 7A | 145 BPM | ||
| This Fracture Sense of Rhythm | Postal | G Major | 10 | 9B | 150 BPM | ||
| Becoming Closer to Closure | Of Machines | A Minor | 9 | 8A | 130 BPM |