"At the Ballet (Backing Track)" by Marvin Hamlisch had its release date on December 13, 2013. This song is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The song is number 3 out of 13 in A Chorus Line (Backing Tracks) by Marvin Hamlisch. In terms of popularity, At the Ballet (Backing Track) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of At the Ballet (Backing Track) by Marvin Hamlisch is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dragnet | Ray Anthony | B Minor | 4 | 10A | 92 BPM | ||
| A Taste of Honey | Herb Alpert | B Minor | 4 | 10A | 92 BPM | ||
| Lucky Charlie - From "Willy Wonka & The Chocolate Factory" Soundtrack | Leslie Bricusse, Anthony Newley | B Major | 3 | 1B | 114 BPM | ||
| 42nd Street | Wanda Richert, Lee Roy Reams, 42nd Street Ensemble | C Major | 6 | 8B | 87 BPM | ||
| Charmaine | Mantovani y Su Gran Orquesta | B Minor | 2 | 10A | 118 BPM | ||
| Moonbeam Kiss | Joe Brook | G Major | 4 | 9B | 119 BPM | ||
| Brideshead Revisited Theme | Geoffrey Burgon | F Major | 1 | 7B | 147 BPM | ||
| Déclic: Java | Al Hirt | G Major | 8 | 9B | 96 BPM | ||
| Brazil | Ray Conniff | A Minor | 5 | 8A | 95 BPM | ||
| Hello Young Lovers | Marni Nixon | C Major | 1 | 8B | 80 BPM | ||
| Brother Can You Spare A Dime | Paul Englishby | G Minor | 2 | 6A | 127 BPM | ||
| One (Rehearsal) - A Chorus Line/Soundtrack Version | Ensemble | A♭ Major | 3 | 4B | 144 BPM | ||
| Theme From Bewitched | The Movie Band | D Minor | 3 | 7A | 105 BPM | ||
| Money - Remastered Version | Burt Bacharach | C Minor | 5 | 5A | 98 BPM | ||
| Le retour de Roch - From Borsalino & Co | Claude Bolling | D♭ Major | 2 | 3B | 132 BPM | ||
| Manhattan Skyline | David Shire | G Minor | 6 | 6A | 124 BPM | ||
| PATTON: Intermission | The Meridian Studio Ensemble | F Major | 7 | 7B | 120 BPM | ||
| Camelot: Overture | Frederick Loewe, The Camelot Orchestra, Franz Allers, Original Broadway Cast of Camelot | E Minor | 3 | 9A | 75 BPM | ||
| Finale Ballad (What I Did For Love) [Bonus Track] | Marvin Hamlisch, Edward Kleban | E Major | 2 | 12B | 76 BPM | ||
| Overture / Preludium (Dixit Dominus) - Medley | Annalee, Portia Nelson, Marni Nixon, Evadne Baker | E♭ Major | 2 | 5B | 89 BPM | ||
| Music To Watch Girls By / Slick - Remastered | Billy May, Time-Life Orchestra | E♭ Major | 3 | 5B | 171 BPM | ||
| One (Chorus Line) | Marvin Hamlisch, Donna Hazelton/Matthew Goodgame/Warren Sollars/Rebecca Dent/Caroline Graham/Craig Berry/Debralee Burns/Alex Hogg/Kerry Newton/Mike Noble/Air Studios Orchestra/Gareth Valentine, Gareth Valentine | B♭ Major | 3 | 6B | 120 BPM | ||
| Chitty Chitty Bang Bang: Overture | Richard M. Sherman, Robert B. Sherman, Chitty Chitty Bang Bang Orchestra, Original Broadway Cast of Chitty Chitty Bang Bang, Robert Scott | F Major | 3 | 7B | 98 BPM | ||
| Around the World – Part I | Victor Young, United Artists Studio Orchestra | E♭ Major | 3 | 5B | 130 BPM | ||
| Cabaret: Willkommen | John Kander, Joel Grey, Cabaret Ensemble, Harold Hastings | F Major | 5 | 7B | 91 BPM |