"Giulietta e Romeo, Act II: Addio per sempre, o vergine (Live)" by Nicola Vaccai, Coro del Teatro Municipale di Piacenza, Orchestra Accademia Teatro alla Scala, Sesto Quatrini had its release date on April 12, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vaccaj: Giulietta e Romeo (Live) by Nicola Vaccai, Leonor Bonilla, Raffaella Lupinacci, Leonardo Cortellazzi, Paoletta Marrocu, Vasa Stajkic, Christian Senn, Orchestra Accademia Teatro alla Scala, Sesto Quatrini. The song's track number on the album is #14 out of 39 tracks. Based on our data, Italy was the country where this track was produced or recorded. Giulietta e Romeo, Act II: Addio per sempre, o vergine (Live) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Giulietta e Romeo, Act II: Addio per sempre, o vergine (Live) by Nicola Vaccai, Coro del Teatro Municipale di Piacenza, Orchestra Accademia Teatro alla Scala, Sesto Quatrini has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Giulietta e Romeo, Act II: Addio per sempre, o vergine (Live) being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Man(Dégagés1) - Cover | Miwa Hoshi | C Major | 3 | 8B | 178 BPM | ||
| Battement tendu & jeté (Sleeping Beauty) | Ji Hyun Kim | C Major | 2 | 8B | 77 BPM | ||
| Six pièces très faciles, Op. 52: No. 4 in G Major, Romanze | Johann Nepomuk Hummel, Caroline Almonte | G Major | 1 | 9B | 79 BPM | ||
| Pocket Timetable | Sel Morasca | B♭ Major | 0 | 6B | 73 BPM | ||
| Practical Vocal Method: Lesson XII Portamento in F-Sharp Major | Nicola Vaccai, Xavier Palacios | D Major | 0 | 10B | 105 BPM | ||
| Barre: Ronds de jambe | Nolwenn Collet | E♭ Major | 1 | 5B | 89 BPM | ||
| Grand Battement: Roxie | Ian Howells Music | C Major | 2 | 8B | 125 BPM | ||
| Let Me Call You Sweetheart | Piano Man Tom | A Minor | 0 | 8A | 63 BPM | ||
| 莫札特: 小星星變奏曲, 作品K. 265 | 紀鈞瀚 (Bryan Chi) | C Major | 0 | 8B | 145 BPM | ||
| Plies | 이현정, Hyeon Jung Lee | D♭ Major | 2 | 3B | 135 BPM | ||
| Freedom | Ki Ki | F Major | 2 | 7B | 123 BPM | ||
| 멘델스존: 베네치아의 뱃노래 | 달빛소네트 | C Major | 1 | 8B | 73 BPM | ||
| Rond De Jambe Par Terre 3/4 64 Counts | Marina Stolyar | A Major | 1 | 11B | 129 BPM | ||
| Kirkko | Sofia Ingeborg | C Minor | 0 | 5A | 124 BPM | ||
| Adagio 2 3x4 | Jorge L. Martínez | G Major | 4 | 9B | 140 BPM | ||
| Rond De Jambe Par Terre – 3/4 | Venti Petrov | F Minor | 3 | 4A | 122 BPM | ||
| Maranitana | Pino Moravia | A Minor | 1 | 8A | 113 BPM | ||
| Go for the Record | Leopold Sinclair | E Minor | 0 | 9A | 138 BPM | ||
| Warm up 2/4 64 Counts | Marina Stolyar | B Minor | 2 | 10A | 112 BPM | ||
| Feelings | Renan Napoli | B♭ Minor | 1 | 3A | 72 BPM | ||
| Practical Vocal Method: The Grupetto or Turn in D-Flat Major | Nicola Vaccai, Xavier Palacios | D♭ Major | 0 | 3B | 97 BPM | ||
| Tendu Plié 3/4: Princess Leia's Theme | Daniel Fifield | A Major | 1 | 11B | 120 BPM | ||
| Wake Me Up - Piano Version | Jim Wilde | G Major | 1 | 9B | 136 BPM | ||
| Radiant Reverie | Auderey Davis | D♭ Major | 0 | 3B | 177 BPM | ||
| Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 | Laura Sanz | C Major | 1 | 8B | 69 BPM |