George Jones's 'Writing On the Wall' had a release date set for February 28, 1989. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Writing On the Wall's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "One Woman Man". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Writing On the Wall is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Writing On the Wall by George Jones having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When The Fallen Angels Fly | Patty Loveless | B Major | 4 | 1B | 84 BPM | ||
| Silver Eagle | Merle Haggard, George Jones | D♭ Major | 2 | 3B | 152 BPM | ||
| Satin Sheets | Jeanne Pruett | D Major | 3 | 10B | 99 BPM | ||
| Cold Cold Heart | Faron Young | A Major | 3 | 11B | 80 BPM | ||
| Honky Tonkin' Fool | Doug Supernaw | E Major | 4 | 12B | 137 BPM | ||
| Someday Soon | Moe Bandy | B♭ Major | 4 | 6B | 124 BPM | ||
| Hungry Eyes | Merle Haggard & The Strangers | D Major | 2 | 10B | 104 BPM | ||
| Today's Lonely Fool | Tracy Lawrence | D Major | 4 | 10B | 80 BPM | ||
| It Couldn't Have Been Any Better | Johnny Duncan | G Major | 5 | 9B | 126 BPM | ||
| Pick Me Up On Your Way Down | The Kendalls | E♭ Major | 6 | 5B | 139 BPM | ||
| I Don't Want to Have to Marry You | Jim Ed Brown, Helen Cornelius | A Major | 3 | 11B | 78 BPM | ||
| Preparations to Be Blue | Lefty Frizzell | A Major | 4 | 11B | 168 BPM | ||
| The Cold Hard Truth | George Jones | E Major | 4 | 12B | 78 BPM | ||
| Life Turned Her That Way | Ricky Van Shelton | A♭ Major | 3 | 4B | 78 BPM | ||
| I Wish You Could Have Turned My Head (And Left My Heart Alone) | The Oak Ridge Boys | E Major | 5 | 12B | 77 BPM | ||
| No Matter How High | The Oak Ridge Boys | G Major | 5 | 9B | 98 BPM | ||
| Send a Message to My Heart (with Patty Loveless) | Dwight Yoakam, Patty Loveless | B♭ Major | 5 | 6B | 128 BPM | ||
| Country Bumpkin | Cal Smith | G Major | 3 | 9B | 94 BPM | ||
| Here In The Real World | George Jones | G Major | 7 | 9B | 84 BPM | ||
| I Don't Need A Thing At All | Gene Watson | E Major | 3 | 12B | 83 BPM | ||
| For You I Will | Aaron Tippin | D♭ Major | 6 | 3B | 108 BPM | ||
| Will You Visit Me On Sundays | Charlie Louvin | D Major | 3 | 10B | 106 BPM | ||
| Daddy Never Was the Cadillac Kind | Confederate Railroad | E Major | 5 | 12B | 77 BPM | ||
| All I Ever Loved Was You (with Shenandoah) | Ricky Skaggs, Shenandoah | B♭ Major | 4 | 6B | 114 BPM | ||
| When Can We Do This Again | The Kendalls | D Major | 4 | 10B | 117 BPM |