Olufina Baba Mi's 'Elegua' had a release date set for June 4, 1983. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 10 in African Yoruba Music of the New Land by Olufina Baba Mi. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Elegua is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Elegua by Olufina Baba Mi is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elegba Reso | Emilio Barreto | E♭ Minor | 4 | 2A | 164 BPM | ||
| Katendé No. 1 | Ekedi Nicinha | D Minor | 5 | 7A | 121 BPM | ||
| Sequence for Olokun (Sawade) | The London Lucumi Choir | D Major | 4 | 10B | 174 BPM | ||
| Elegua / Exu | Mark Lamson, Michael Spiro | C Major | 6 | 8B | 146 BPM | ||
| Yemaya | Martha Galarraga, D. Rodriguez Morales | E♭ Major | 6 | 5B | 149 BPM | ||
| Binóco Véio/ Sai daí sai daí/ Ooh iáiá meu sinhô mandou chama - Live | James Berimbau, Dj Capoeira | G Minor | 5 | 6A | 114 BPM | ||
| Canto a Eleguá | Grupo Folklórico Justi Barreto | D♭ Major | 8 | 3B | 178 BPM | ||
| Sequence for Olokun (O Mayo) | The London Lucumi Choir | G Major | 6 | 9B | 113 BPM | ||
| Orixá Exu | Babalorixá Júnior D'Oxossì | D Major | 4 | 10B | 132 BPM | ||
| Baba Lu Aye | Olufina Baba Mi | G Major | 1 | 9B | 114 BPM | ||
| Ọ̀ṣọ́ọ́sì | Bàbá Kàyọ̀dé | A♭ Major | 7 | 4B | 125 BPM | ||
| Jigijigi | Okpereku | C Major | 2 | 8B | 160 BPM | ||
| De Muje Na Motjo | RN-Live Sound, Tjado&Makandi Kawina Band | F♯ Major | 3 | 2B | 86 BPM | ||
| Nanan Buruku - Nation Ketou | Traditionnel | E Major | 6 | 12B | 83 BPM | ||
| Hongolo No. 2 | Ekedi Nicinha | D Major | 8 | 10B | 95 BPM | ||
| Oshun (Oshun) And Yemoya | Orisha Shrines Of Trinidad & Tobago | A Minor | 7 | 8A | 108 BPM | ||
| Work | Amaka Baby | G Major | 1 | 9B | 95 BPM | ||
| Unsumbo No. 1 / Unsumbo No. 2 | Ekedi Nicinha | A♭ Major | 7 | 4B | 0 BPM | ||
| Congo Manawa | Oba Ire | A Major | 8 | 11B | 163 BPM | ||
| St. Jacques | Jacques Fortere, Raoul Joseph, Sylomene Fevrier | E♭ Minor | 6 | 2A | 69 BPM | ||
| Xoro | Marcelo Finco | E Major | 6 | 12B | 105 BPM | ||
| I Go Praise You | If-zzy | F♯ Major | 6 | 2B | 104 BPM | ||
| Pai Joaquim cadê Pai Mané , Pai Joaquim Véio de Angola | Amigos do Axé Oficial por Eduardo Jc | A♭ Major | 5 | 4B | 89 BPM | ||
| Exu (Keto) | Caio de Souza Aranha | D♭ Major | 6 | 3B | 115 BPM | ||
| Olha a Gira do Bará | Alagbê Igor de Xapanã | E Major | 7 | 12B | 175 BPM |