Rathnamala Prakash's ' "Antarathmane Guru" was released on its scheduled release date, July 1, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 9 in Baarisu Kannada Dindimava by Narasimha Naik, Archana Udupa, Raju Anantaswamy, Rathnamala Prakash. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Antarathmane Guru's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Antarathmane Guru by Rathnamala Prakash is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Daribedi | Shankar Mahadevan | A♭ Major | 10 | 4B | 150 BPM | ||
| Bantu Bantu Subrahmanya Sasthi | Bangalore Venkateshmurthy Srinivas, Mohan Raj, Pashupati Prasad Goturi, Rattihalli Nagendra Rao Jayagopal, Veerandra Gopal, Rathnamala Prakash, Ramesh Chandra | A♭ Major | 7 | 4B | 82 BPM | ||
| Sudheerga Ratre Konege Indu | Gurumatha Amma, Rathnamala Prakash, B.R. Chaya, Kasturi Shankar | B♭ Minor | 4 | 3A | 164 BPM | ||
| Viswa Vinoothana | C. Ashwath, Shimoga Subbanna | F Minor | 6 | 4A | 130 BPM | ||
| MALEYA MAHADEVA | Malavalli Dr M Mahadevaswamy | D Major | 8 | 10B | 110 BPM | ||
| Kila Kila | Chetan | D♭ Major | 7 | 3B | 96 BPM | ||
| Virha Nooru Nooru | P. Susheela | A♭ Minor | 5 | 1A | 123 BPM | ||
| Yaro Yaro Yaro | Aslam | D Minor | 4 | 7A | 168 BPM | ||
| Nesara Nodu | Sulochana | C Major | 2 | 8B | 112 BPM | ||
| Kaada Kudari Odi Bandiththa | Shimoga Subbanna | F Major | 7 | 7B | 140 BPM | ||
| Deviya Mahimeya Thiliyalu | Rathnamala Prakash | G Major | 6 | 9B | 89 BPM | ||
| Hadondu Hadabeku - Female Vocals | K. S. Chithra | G Major | 7 | 9B | 80 BPM | ||
| Onde Ondu Maathu Keli (Bit) | Chitra, Rajesh Ramnath, S. Narayan | A Minor | 5 | 8A | 171 BPM | ||
| Mugila Malligeyo | Vijay Anand, M. Sathyam, Sankar Ganesh, Rajkumar Bharathi, P. Susheela | B♭ Major | 7 | 6B | 97 BPM | ||
| Raayaru Bandaru | Ratnamala Prakash | C Major | 6 | 8B | 144 BPM | ||
| Nanna Ninna Premageethe (Female Vocals) | K.S.Chitra,K.Kalyan | G Minor | 7 | 6A | 84 BPM | ||
| Yaava Sowbhagya Sama | Rathnamala Prakash | G Major | 6 | 9B | 141 BPM | ||
| Shukravara Banthamma | Bellur Sisters, Rathnamala Prakash, B. R. Chaya | G Major | 5 | 9B | 91 BPM | ||
| Nenapagade | Chetan Sosca, Kaviraj | C Major | 4 | 8B | 102 BPM | ||
| Sobaana Sobaana | Rajkumar, Ramesh Chandra, K.S. Surekha, Sri Raksha Aravind | D♭ Major | 6 | 3B | 103 BPM | ||
| Helkollakondooru | Mysore Ananthaswamy | F Major | 4 | 7B | 169 BPM | ||
| Nee Jagga Byada | Nizam Alla Khan, B. R. Chaya | E Major | 5 | 12B | 147 BPM | ||
| Kannadada Honnudi | S. P. Balasubrahmanyam, Rajan–Nagendra, K.V. Reddy | F♯ Minor | 4 | 11A | 85 BPM | ||
| Hara Hara Gange | V. Manohar, Rajkumar | D Major | 6 | 10B | 106 BPM | ||
| Dhaariya Thoriso | Narasimha Naik, B. R. Chaya, Rathnamala Prakash | F Major | 6 | 7B | 161 BPM |