"After It All" by Son Lux, Katie Chastain had its release date on January 1, 2014. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Original Music from and Inspired By: The Disappearance of Eleanor Rigby (Original Motion Picture Soundtrack)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, After It All's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With After It All by Son Lux, Katie Chastain having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Half Life | Zola Jesus | A♭ Major | 5 | 4B | 176 BPM | ||
| Primary Pluck | Clark | C Minor | 2 | 5A | 73 BPM | ||
| Ink | Tusks | D♭ Minor | 4 | 12A | 115 BPM | ||
| Love Is Rare | Tom Day, Monsoonsiren | F Major | 2 | 7B | 178 BPM | ||
| Animal | The Acid | B Minor | 3 | 10A | 70 BPM | ||
| Violet Tree | M83 | A Minor | 3 | 8A | 130 BPM | ||
| Winding and Unwinding | Ben Lukas Boysen, Sebastian Plano | C Minor | 4 | 5A | 69 BPM | ||
| Gentle Clarity | Kiro Nova | A♭ Minor | 5 | 1A | 196 BPM | ||
| The Bomb - Theme I | The Acid | E Minor | 3 | 9A | 118 BPM | ||
| The Choir | Morly | B Minor | 3 | 10A | 135 BPM | ||
| Intro/Spectrum | HÆLOS | G Major | 1 | 9B | 75 BPM | ||
| Grateful | Bounce Melody | E♭ Minor | 2 | 2A | 89 BPM | ||
| Take Him In | Hilary Woods | A Minor | 3 | 8A | 184 BPM | ||
| Blue and Grey | Eskmo, Brendan Angelides | D♭ Major | 3 | 3B | 93 BPM | ||
| To Believe - Lucinda Chua Rework | The Cinematic Orchestra, Moses Sumney, Lucinda Chua | B Minor | 2 | 10A | 95 BPM | ||
| Boy | Jónsi, Alex Somers | G Major | 2 | 9B | 136 BPM | ||
| Flowers | Son Lux | D♭ Major | 2 | 3B | 96 BPM | ||
| To Believe | The Cinematic Orchestra, Moses Sumney | E Minor | 1 | 9A | 87 BPM | ||
| Silence I | Son Lux | B Minor | 2 | 10A | 82 BPM | ||
| Anywhere But Where I Am | Foreign Fields | B♭ Major | 1 | 6B | 102 BPM | ||
| Come Back | David O'Dowda | G Minor | 1 | 6A | 110 BPM | ||
| Oceans Wait | Josin | A Minor | 3 | 8A | 75 BPM | ||
| Dreaming Awake - Son Lux Mix | My Brightest Diamond | F♯ Minor | 3 | 11A | 81 BPM | ||
| By the kiss | M83 | D Major | 2 | 10B | 85 BPM | ||
| Deep Oceandrift | Vexum Aeon | E♭ Minor | 2 | 2A | 96 BPM |