Philip Larkin's ' "Arrivals, Departures" was released on its scheduled release date, September 27, 2010. With This song being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Philip Larkin Reads The Less Decieved". In this album, this song's track order is #28. Furthermore, we believe that the track originated from United Kingdom. Arrivals, Departures is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Arrivals, Departures by Philip Larkin having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Applying Presence to Challenges | Eckhart Tolle | F♯ Major | 2 | 2B | 118 BPM | ||
| A Bone And A Bean | Priscilla Howe | A Minor | 1 | 8A | 112 BPM | ||
| 20,000 Gluckseys Under The Sea (Part of The Baby-Baby, Evil Glucksey Cartoon Adventure Series) | Sean William, Gordon C. Gauthier, Scott Hull | B Minor | 3 | 10A | 123 BPM | ||
| Leaving Early | Sylvia Plath | F Minor | 0 | 4A | 130 BPM | ||
| Wedding Wind | Philip Larkin | F Major | 2 | 7B | 79 BPM | ||
| Sadmin | Hannah Gadsby | B♭ Major | 0 | 6B | 96 BPM | ||
| Perfect Woman (William Wordsworth) | Michael Sheen | D♭ Major | 0 | 3B | 77 BPM | ||
| The Ugly Duckling, Pt. 8 | Fairy Tales for Kids | C Major | 2 | 8B | 66 BPM | ||
| Slaughterhouse 5, Pt. 5, 6 and 7 | Kurt Vonnegut | B♭ Minor | 1 | 3A | 99 BPM | ||
| The Yipiyuk | Shel Silverstein | G Minor | 1 | 6A | 120 BPM | ||
| Church Going | Philip Larkin | D Major | 1 | 10B | 135 BPM | ||
| As I Walked out One Evening | W. H. Auden | B♭ Minor | 2 | 3A | 112 BPM | ||
| Teach Me How to Dance | REU BILLION | A♭ Minor | 1 | 1A | 136 BPM | ||
| Chapter 15: Tina In Danger | Bibi and Tina | E Major | 3 | 12B | 89 BPM | ||
| I’m Lowkey Scared But We’re Going In | Karl ASMR | E Minor | 4 | 9A | 92 BPM | ||
| Ye | Jenninex | B Major | 1 | 1B | 69 BPM | ||
| RXLLY | kasebl | E Minor | 3 | 9A | 138 BPM | ||
| God, Christ, Gurus | Self-Realization Fellowship | D♭ Major | 6 | 3B | 121 BPM | ||
| Deceptions | Philip Larkin | G Minor | 1 | 6A | 95 BPM | ||
| Introduction to the Pullen Song | Michael Harris | F♯ Minor | 3 | 11A | 93 BPM | ||
| A Valediction - Forbidding Mourning | Richard Burton | E♭ Major | 2 | 5B | 131 BPM | ||
| Do Not Go Gentle Into That Good Night | Dylan Thomas | D♭ Major | 1 | 3B | 81 BPM | ||
| Childhood Perspective (Dick) | Rob Crean | F Major | 4 | 7B | 103 BPM | ||
| Intro to Focus 10 - Track 4 | Hemi-Sync | F♯ Major | 0 | 2B | 120 BPM | ||
| What happened in 2014? | Matthew Rix | D♭ Major | 3 | 3B | 119 BPM |