Karl Michael's 'Highs And The Lows' had a release date set for September 24, 2021. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Highs And The Lows and no other songs are present in the album, we classify this track as a single. In terms of popularity, Highs And The Lows is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Highs And The Lows by Karl Michael to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Broken Love | Rawle, Melanie Amaro | F♯ Minor | 6 | 11A | 80 BPM | ||
| Whispers in the Wind | Abraham Strachey | D♭ Major | 3 | 3B | 82 BPM | ||
| Come on Over | Tadhg Daly | E♭ Major | 6 | 5B | 95 BPM | ||
| GHOST TOWN - campfire version | Benson Boone | C Major | 5 | 8B | 115 BPM | ||
| Diamonds - Acoustic | Sam Smith | B♭ Minor | 3 | 3A | 186 BPM | ||
| Like Nothing Ever Happened | Anderson East | A♭ Major | 2 | 4B | 131 BPM | ||
| Onto Something | Jamie Miller | C Major | 7 | 8B | 93 BPM | ||
| Amazing - Strings Version | Teddy Swims | A Major | 3 | 11B | 88 BPM | ||
| No Right To Love You | Rhys Lewis | D♭ Major | 5 | 3B | 159 BPM | ||
| Stop At Nothing | Craig Stickland | C Minor | 4 | 5A | 90 BPM | ||
| Deserve You | Brent Morgan | B♭ Minor | 2 | 3A | 120 BPM | ||
| Hard Place | Troy Ramey | E♭ Major | 1 | 5B | 122 BPM | ||
| You Don't Want Me | Tassia Zappia | G Minor | 6 | 6A | 149 BPM | ||
| Don't Be A Fool x Tennessee Whiskey | Travis Garland | B Minor | 3 | 10A | 175 BPM | ||
| The Way I Wanna | Max McNown | D Major | 4 | 10B | 115 BPM | ||
| CHURCH | WHATEVER WE ARE | E♭ Major | 4 | 5B | 73 BPM | ||
| The Letter | Steven Rodriguez | B Minor | 5 | 10A | 170 BPM | ||
| calling for you | Alexander Nate | A Minor | 1 | 8A | 177 BPM | ||
| Glad You Exist - Acoustic | Dan + Shay | B Major | 4 | 1B | 184 BPM | ||
| What's Left of You | Chord Overstreet | C Major | 5 | 8B | 118 BPM | ||
| Why Can't It Be Over | CHASE WRIGHT | E♭ Minor | 6 | 2A | 164 BPM | ||
| Blue In Her Bones (Steve Dear Sessions) | GRAY | C Minor | 3 | 5A | 122 BPM | ||
| Tell Me When It's Over | Huntley | E Minor | 7 | 9A | 142 BPM | ||
| If You're Tired | Connor Duermit, Ray Dalton | F♯ Major | 4 | 2B | 130 BPM | ||
| Saturday night kinda love | Lone Star Lyric House | D♭ Major | 3 | 3B | 82 BPM |