Rajkishan Agwanpuriya's ' "Main Bhar Ree Say Chaw Umang Main" was released on its scheduled release date, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rajkishan Agwanpuriya's "Haryanvi Rajkishan Ki Futkar Ragniya (Vol. 1, 2, 3, 4, 5, 6, 7 & 8)" album is number 5 out of 55. On top of that, France appears to be the country where this track was created. In terms of popularity, Main Bhar Ree Say Chaw Umang Main is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Main Bhar Ree Say Chaw Umang Main by Rajkishan Agwanpuriya to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Budhwa Beiman Kinela Choli Patohiya Ke | Bharat Sharma Vyas | B♭ Major | 7 | 6B | 117 BPM | ||
| Mawaliya | Dukalu Yadav | B Major | 9 | 1B | 153 BPM | ||
| Pappu h Tumhare Kharab | Jaysingh raja, jyoti Kushvah | F♯ Major | 8 | 2B | 144 BPM | ||
| Rowan Wali Kyu Rowe | Rajkishan Agwanpuriya | D Minor | 5 | 7A | 102 BPM | ||
| Laikurachai Heit | Digambar Kutae, Kashiram Indolikar | C Major | 6 | 8B | 127 BPM | ||
| Golu Devta Jagar - Pahadi | Heera Lal | A Major | 6 | 11B | 131 BPM | ||
| Jajam Bichh Gaye Panch Baith Gaye | Preeti Choudhary Jhunjhunu | G Major | 4 | 9B | 128 BPM | ||
| Pind Var Nagoba | Amol Shirsath | A♭ Major | 10 | 4B | 162 BPM | ||
| Chaar Din Ke Jinagi | Gopal Rai | A♭ Major | 6 | 4B | 77 BPM | ||
| Raja Piy Jani Gaanja Ho Kharaab Ho Jaibai | Bharat Sharma Vyas | C Minor | 7 | 5A | 146 BPM | ||
| Dilwa Me Ghar Tu Banai Ke | Pankaj Matalbi Yadav, Babita Vandna | A♭ Major | 9 | 4B | 110 BPM | ||
| Gura Noo Na Bhaunda Tera Maan Ji | Sri Hazoor Sant Isher Singh Ji Maharaj | C Minor | 8 | 5A | 99 BPM | ||
| Balaji Mera Dagmag Dole Gaat | Narendra Kaushik | F♯ Minor | 9 | 11A | 162 BPM | ||
| C O Sahab Manne Chutti De De | Rajender Kharkiya | E Major | 9 | 12B | 71 BPM | ||
| Sajan Ke Ghar Jana | Rajender Singh Kharkiya | A♭ Major | 7 | 4B | 110 BPM | ||
| Hum Gaadi Se Jehe Padal Na Jehe | Leeladhar Raikwar | A♭ Major | 9 | 4B | 79 BPM | ||
| Bigde Kam Bnade Baba Jotram | Sumit Kalanaur | B♭ Major | 8 | 6B | 148 BPM | ||
| Bhai Jaisi Chij Jagat | Master Satbir | C Major | 3 | 8B | 109 BPM | ||
| Saat Samunder Paar Se | Gopal Rai | F Major | 5 | 7B | 89 BPM | ||
| Sona De Sajan Tera | Azad Singh Khandakhedi | A Major | 6 | 11B | 78 BPM | ||
| Kaha Gaye Pase Kaha Gaya Beta | Satpal Dosa, Mainpal Baseda | G Major | 7 | 9B | 143 BPM | ||
| Pad Le Kan Baba Ji | Sumit Kalanaur | F♯ Major | 8 | 2B | 109 BPM | ||
| Javna Rog Ke Dawaai Na | Bharat Sharma Vyas | E♭ Major | 7 | 5B | 175 BPM | ||
| Tata Kehiye | Rajendra Kharkiya, Ranbir Badwasniya, Paleram Dahiya, Master Satbeer | C Major | 6 | 8B | 131 BPM | ||
| Balaji Tera Roop Nirala Hai | Narender Kaushik | G Major | 10 | 9B | 150 BPM |