The Three Suns's 'Sleepy Time Gal' had a release date set for 1955. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Sleepy Time Gal's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Under Paris Skies". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Sleepy Time Gal is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sleepy Time Gal by The Three Suns having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Little On The Lonely Side | Frankie Carle, His Orchestra, voc. Paul Allen | G Minor | 1 | 6A | 94 BPM | ||
| Praise the Lord and Pass the Ammunition - Alternate Take | Kay Kyser | F Minor | 2 | 4A | 137 BPM | ||
| Bedelia | Bill Stutz and His Bearcats | F Minor | 2 | 4A | 137 BPM | ||
| Rip Van Winkle | Ella Mae Morse | F Minor | 2 | 4A | 137 BPM | ||
| Glow Worm Cha-cha-cha | Martini Lounge | F Minor | 5 | 4A | 143 BPM | ||
| Beyond The Sunset (with The Three Suns & Rosalie Allen) | Elton Britt, The Three Suns, Rosalie Allen | A♭ Major | 2 | 4B | 77 BPM | ||
| Chicka Boom | Guy Mitchell | D♭ Major | 5 | 3B | 98 BPM | ||
| The Poor People of Paris | Winifred Atwell | F Minor | 2 | 4A | 137 BPM | ||
| Come Swing with Me | Ernest Ponticelli, Gordon Rees, David Gold | D♭ Major | 4 | 3B | 126 BPM | ||
| Cow-Cow Boogie | Ella Mae Morse | F Minor | 2 | 4A | 137 BPM | ||
| Teen Scene | Bert Weedon | E Major | 9 | 12B | 78 BPM | ||
| China Doll | Bert Weedon | F Minor | 2 | 4A | 137 BPM | ||
| Enjoy Yourself (It's Later Than You Think) | Guy Lombardo & His Royal Canadians | F Minor | 2 | 4A | 137 BPM | ||
| Uranium Rock - Alternate Take | Warren Smith | A Major | 7 | 11B | 106 BPM | ||
| In the Cool, Cool, Cool of the Evening | Frankie Carle | F Minor | 2 | 4A | 137 BPM | ||
| Boston Bounce | The Squadronaires | G Major | 6 | 9B | 134 BPM | ||
| Journey Into Melody | Sam Fonteyn | G Major | 4 | 9B | 140 BPM | ||
| He Ain't Got Rhythm | Jimmie Lunceford & His Orchestra | F Minor | 3 | 4A | 91 BPM | ||
| Exactly Like You | Roger Wolfe Kahn | G Major | 4 | 9B | 176 BPM | ||
| Time to Quickstep | Keith Nichols | G Major | 2 | 9B | 107 BPM | ||
| Couple Shuffle | Giorgio Cuscito, Karen Elizabeth Smith | B♭ Major | 6 | 6B | 98 BPM | ||
| In My Merry Oldsmobile | Jean Goldkette & His Orchestra | D Major | 3 | 10B | 111 BPM | ||
| On a Slow Boat to China | Kay Kyser, Gloria Wood | F Minor | 2 | 4A | 137 BPM | ||
| Where Have You Been All My Life? | Hal David, John Cacavas | A♭ Major | 3 | 4B | 198 BPM | ||
| A Nice Cup Of Tea | Joe Loss & His Orchestra | A♭ Major | 1 | 4B | 96 BPM |