Marin Marais, Rainer Zipperling, Ghislaine Wauters, Pieter-Jan Belder's ' "Pièces de Viole, Suite No. 4 in D Major: I. Prelude" was released on its scheduled release date, 2012. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Rainer Zipperling, Ghislaine Wauters, Pieter-Jan Belder's "Marais: Pièces de Viole, Book 5" album is number 42 out of 110. On top of that, Netherlands appears to be the country where this track was created. The popularity of Pièces de Viole, Suite No. 4 in D Major: I. Prelude is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Pièces de Viole, Suite No. 4 in D Major: I. Prelude by Marin Marais, Rainer Zipperling, Ghislaine Wauters, Pieter-Jan Belder to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Herzlich Lieb hab' ich dich, O Herr, BuxWV 41: I. Herzlich Lieb hab' ich Dich | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | C Major | 1 | 8B | 76 BPM | ||
| Messa Della Domenica: Tocata Cromaticha Per la levatione | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
| Intavolatura di chitarra a cinque ordini, Book 2: Capona | Francesco Valdambrini, Pierre Pitzl | F Major | 0 | 7B | 133 BPM | ||
| Pièces à deux violes du Premier Livre, suite en ré mineur: I. Prélude à deux violes (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | D♭ Minor | 2 | 12A | 85 BPM | ||
| Sinfonia No. 6 in G Minor, Op. 5: III. Allegro | Johann Adolf Hasse, Le Concert de l'Hostel Dieu, Franck-Emmanuel Comte | D♭ Major | 3 | 3B | 120 BPM | ||
| Aria Amorosa | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
| Couperin, F: L'apothéose de Lully: XII. Sonade en trio | François Couperin, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 171 BPM | ||
| Ode for St Cecilia's Day, Z. 339: "Here the Deities Approve" | Henry Purcell, Tim Mead, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Minor | 2 | 3A | 119 BPM | ||
| Corrente Italiana | Juan Cabanilles, Le Poème Harmonique, Vincent Dumestre | E♭ Major | 2 | 5B | 122 BPM | ||
| Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM | ||
| Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
| Couperin, L: Fantaisie de Violes par Mr. Couperin | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Mathias Ferré, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 62 BPM | ||
| Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 3 | 5A | 69 BPM | ||
| 2e livre de viole: Tombeau pour Mr de Sainte-Colombe | Marin Marais, Friederike Heumann, Xavier Diaz-Latorre | E♭ Minor | 0 | 2A | 167 BPM | ||
| Suite No.1: La Couperin - Arr. Jean-Baptiste-Antoine Forqueray, for solo harpsichord | Antoine Forqueray, Margaret Little, Christophe Gauthier | D♭ Minor | 2 | 12A | 94 BPM | ||
| Oboe Concerto in G Minor, HWV 287: I. Grave | George Frideric Handel, Musica Gloria, Beniamino Paganini, Nele Vertommen, Evan Buttar, Elise Dupont, Giulio Quirici, Lena Rademann, Daria Spiridonova | E Major | 3 | 12B | 122 BPM | ||
| Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
| Violin Sonata No. 1 in D Minor: I. Adagio | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 1 | 12A | 125 BPM | ||
| Scarlatti, D: Keyboard Sonata in D Minor, Kk. 9 | Domenico Scarlatti, Scott Ross | E Major | 4 | 12B | 120 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Dulcis Jesu, pie Deus" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| Flute Sonata in E Minor: I. Grave | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 83 BPM | ||
| Concert XLVIIIe siècle "Le Raporté": Chaconne raportée à deux violes esgales | Monsieur de Sainte-Colombe, Sophie Watillon, Friederike Heumann | F♯ Minor | 0 | 11A | 157 BPM | ||
| Abdelazer, Z.570: Air - Jig - Hornpipe - Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 172 BPM | ||
| Céphale et Procris, Prologue: Ouverture | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
| Pièces de viole, Livre II No. 40: La polonaise | Marin Marais, Vittorio Ghielmi, Luca Pianca | F Major | 5 | 7B | 107 BPM |