Tori Darke's 'My Boots Made Me Do It' had a release date set for May 30, 2025. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. My Boots Made Me Do It's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in My Boots Made Me Do It and no other songs are present in the album, we classify this track as a single. On top of that, Australia appears to be the country where this track was created. My Boots Made Me Do It is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of My Boots Made Me Do It by Tori Darke to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oughta Know Better | Ashley Ryan | B♭ Major | 9 | 6B | 189 BPM | ||
| Lovin' In It | Zac & George | C Minor | 7 | 5A | 106 BPM | ||
| The Way a Day Off Works Around Here | David Adam Byrnes | C Major | 8 | 8B | 109 BPM | ||
| As Long As There's A Bar | Gord Bamford | D Major | 7 | 10B | 150 BPM | ||
| See You At The Bottom | Andrew Swift | F Major | 7 | 7B | 132 BPM | ||
| Past The City Line | Kimmy June | A Major | 8 | 11B | 94 BPM | ||
| Tipsy | Christie Lamb | D Major | 8 | 10B | 138 BPM | ||
| It's The Little Things | Kirsty Lee Akers | A♭ Major | 5 | 4B | 170 BPM | ||
| All Dollars, No Sense | Adam Mac | B♭ Minor | 8 | 3A | 115 BPM | ||
| BACK IN THE DAY | James Johnston | F♯ Minor | 8 | 11A | 162 BPM | ||
| Firecracker | Taylor Moss | E Minor | 9 | 9A | 160 BPM | ||
| The Last Girl | Sammi Palinkas | F Major | 7 | 7B | 145 BPM | ||
| Louisiana Woman Mississippi Man | Twitty and Lynn | G Major | 8 | 9B | 118 BPM | ||
| That Guy | Kelsey Hickman | G Major | 8 | 9B | 81 BPM | ||
| Fuck It | Danae Hays | F♯ Major | 9 | 2B | 166 BPM | ||
| Whiskey Worked That Way | Briana Dinsdale | B Major | 7 | 1B | 148 BPM | ||
| Three Chords and a Woman's Truth | Christie Lamb | D♭ Major | 6 | 3B | 96 BPM | ||
| I Ain't Country | Jess Moskaluke | C Minor | 9 | 5A | 160 BPM | ||
| TOP END TOUGH | Tom Curtain, Luke O'Shea, Sara Storer | G Major | 9 | 9B | 79 BPM | ||
| Sold (The Grundy County Auction Incident) | The Wet Whistles | D Major | 10 | 10B | 115 BPM | ||
| Fire in the Sky | Ashley Ryan | G Major | 9 | 9B | 165 BPM | ||
| Real Good Night | Runaway June | A♭ Major | 7 | 4B | 126 BPM | ||
| You'd Still Be Drunk | Kayley Green | A♭ Major | 9 | 4B | 110 BPM | ||
| I Believe In Roses | Tyla Rodrigues | A Major | 9 | 11B | 140 BPM | ||
| Like It Like It Is | Max Jackson | A Major | 6 | 11B | 168 BPM |