George Byrne's 'Goldmine' had a release date set for October 4, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Byrne's "George Byrne" album is number 1 out of 15. On top of that, United States appears to be the country where this track was created. Based on our statistics, Goldmine's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Goldmine by George Byrne to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Good Times | Susie Suh | D♭ Major | 4 | 3B | 76 BPM | ||
| Wound | Leah Nobel | D♭ Major | 3 | 3B | 128 BPM | ||
| The Strangest Thing | The Amazing | D Major | 2 | 10B | 186 BPM | ||
| Call Off the Hunt - Bonus Track | Lowpines | D Major | 4 | 10B | 90 BPM | ||
| How Far This Road Goes | Gareth Dunlop | D Major | 3 | 10B | 88 BPM | ||
| Anywhere You're Going Is on My Way | Charlie Fink | B♭ Major | 1 | 6B | 143 BPM | ||
| A World Between Us | Royal Wood | B♭ Major | 6 | 6B | 122 BPM | ||
| If Ever There's a Reason | Derby | A Minor | 4 | 8A | 97 BPM | ||
| You Let Me In | Luke Rathborne | C Major | 4 | 8B | 97 BPM | ||
| Put On, Cologne | Donovan Woods | D♭ Major | 4 | 3B | 96 BPM | ||
| At the End, Pt. 1 | Wylder | C Major | 3 | 8B | 148 BPM | ||
| Tough | Amy Stroup, K.S. Rhoads | E Major | 3 | 12B | 146 BPM | ||
| I'll be With You | Johnny Lloyd, Nathan Coen | F Major | 3 | 7B | 105 BPM | ||
| Wait | Broken Fences | B♭ Major | 3 | 6B | 124 BPM | ||
| If I Had a Boat | Karen Elson | A Major | 9 | 11B | 116 BPM | ||
| The Only Boy Awake | Meadows | F Major | 5 | 7B | 122 BPM | ||
| Dawning On Me | Villagers | G Major | 3 | 9B | 95 BPM | ||
| The Shape Of Us | Ian Britt | A Major | 3 | 11B | 143 BPM | ||
| Looking out for You | The Guest and the Host | A Major | 6 | 11B | 160 BPM | ||
| There Is A Light | Great Lake Swimmers | B♭ Major | 1 | 6B | 110 BPM | ||
| I'll Be Your Mirror | Clem Snide, Eef Barzelay | G Major | 2 | 9B | 79 BPM | ||
| Days Like This | Kim Taylor | B♭ Minor | 2 | 3A | 138 BPM | ||
| All You Need | Thomas Hien | E♭ Major | 4 | 5B | 164 BPM | ||
| Benediction | Josh Garrels | F Major | 2 | 7B | 135 BPM | ||
| Half Light | Fossil Collective | F♯ Minor | 3 | 11A | 105 BPM |