Steve Smyth's 'Barbiturate Cowboy and His Dark Horses' had a release date set for December 5, 2011. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Release". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Barbiturate Cowboy and His Dark Horses's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Barbiturate Cowboy and His Dark Horses by Steve Smyth having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| How's It Gonna End - Remastered | Tom Waits | A Minor | 2 | 8A | 111 BPM | ||
| Forgive Me | Parker Millsap | C Major | 4 | 8B | 170 BPM | ||
| She Took a Gamble | Hannah Read | G Major | 2 | 9B | 119 BPM | ||
| Morning Love | Feathership | G Minor | 10 | 6A | 111 BPM | ||
| Patsy Cline | Pauline Andrès | A Minor | 3 | 8A | 90 BPM | ||
| Carriages | Tiny Ruins | D Major | 2 | 10B | 134 BPM | ||
| Bring Back The Night | Sean Rowe | A♭ Major | 4 | 4B | 104 BPM | ||
| Bloodshot - Demo | Albin Lee Meldau | F Major | 1 | 7B | 164 BPM | ||
| Little Black Submarines | Lindsey Cohen | G Major | 4 | 9B | 75 BPM | ||
| Need It in Need | Steve Smyth | D Major | 3 | 10B | 71 BPM | ||
| Focus | Brown Bird | D Major | 2 | 10B | 100 BPM | ||
| Ireland | Lorkin O'Reilly | B♭ Minor | 3 | 3A | 116 BPM | ||
| Roman Candle | Dry the River, Emma Pollock | A♭ Minor | 5 | 1A | 93 BPM | ||
| Iuka | The Secret Sisters | G Major | 7 | 9B | 113 BPM | ||
| On the Road Again | Jack Broadbent | G Minor | 4 | 6A | 150 BPM | ||
| Slow Coming | Benjamin Booker | D Major | 5 | 10B | 122 BPM | ||
| I'm Lost Without You | Marlon Williams | D Minor | 4 | 7A | 179 BPM | ||
| David | Noah Gundersen | E Minor | 6 | 9A | 126 BPM | ||
| I Don't Want You On My Mind | Mick Harvey | A Minor | 4 | 8A | 106 BPM | ||
| We Got to Meet Death One Day | Luella and the Sun | B♭ Minor | 5 | 3A | 78 BPM | ||
| The Groundskeeper | David Keenan | G Major | 3 | 9B | 67 BPM | ||
| I Heard The Angels | Marty O'Reilly & the Old Soul Orchestra | E Minor | 3 | 9A | 74 BPM | ||
| Cry, Cry, Crow | The Pines | B♭ Minor | 4 | 3A | 60 BPM | ||
| Arabian Spring in Tunisia | Karhu B | G Major | 7 | 9B | 140 BPM | ||
| Nobody Owes You Nothin' | Matt Walker, The Fat Rubber Band, Tex Perkins | A Major | 2 | 11B | 141 BPM |