Craig Armstrong's 'Violet' had a release date set for September 8, 2014. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Craig Armstrong's "It's Nearly Tomorrow" album is number 7 out of 17. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Violet is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violet by Craig Armstrong to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Journey to Hogwarts | Nicholas Hooper | A Minor | 1 | 8A | 78 BPM | ||
| Journey To Uppercross | Stuart Earl | E Minor | 2 | 9A | 80 BPM | ||
| Leaving Storybrooke | Mark Isham | E Minor | 2 | 9A | 76 BPM | ||
| "I Have Danced With A King" | George Fenton | A Major | 1 | 11B | 77 BPM | ||
| End Roller | Peter Gregson | E♭ Major | 0 | 5B | 75 BPM | ||
| Walter's Burial | Marc Streitenfeld | G Minor | 1 | 6A | 78 BPM | ||
| Without a Home | Christopher Willis | A Minor | 2 | 8A | 55 BPM | ||
| David's Writings | Christopher Willis | D♭ Minor | 4 | 12A | 92 BPM | ||
| Resurgam | Anne Dudley, The Chamber Orchestra Of London | F Minor | 2 | 4A | 49 BPM | ||
| Extremely Loud and Incredibly Close | Alexandre Desplat, Jean-Yves Thibaudet | A Minor | 0 | 8A | 79 BPM | ||
| I Will Come for You | David Hirschfelder | F Major | 3 | 7B | 89 BPM | ||
| The First Kiss (Veronica’s Theme) | George Fenton | B♭ Major | 1 | 6B | 89 BPM | ||
| Burning Books | Harald Kloser | E Minor | 0 | 9A | 111 BPM | ||
| La Escuela | Fernando Velázquez | B♭ Major | 0 | 6B | 137 BPM | ||
| Lead Them | Harald Kloser, Thomas Wander | C Minor | 2 | 5A | 53 BPM | ||
| The About Time Theme | Nick Laird-Clowes | C Major | 2 | 8B | 93 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| After The Explosion | Fernando Velázquez | G Minor | 2 | 6A | 72 BPM | ||
| End Title | Clint Eastwood | F♯ Major | 1 | 2B | 81 BPM | ||
| Café in Paris | Paul Englishby, Jeremy Holland-Smith | G Major | 1 | 9B | 77 BPM | ||
| One True Thing | Cliff Eidelman | A Major | 0 | 11B | 168 BPM | ||
| Estella - From "Great Expectations" | Patrick Doyle | F Major | 0 | 7B | 125 BPM | ||
| The Departure | Michael Nyman | D Minor | 3 | 7A | 178 BPM | ||
| The Princess Diaries Waltz - Score | John Debney | A Major | 2 | 11B | 137 BPM | ||
| Suzy | Guy Farley | D Minor | 1 | 7A | 120 BPM |