Shahbuddin Rathod's ' "Chopadi Ma Vanchelu Ghyan" was released on its scheduled release date, May 25, 2019. This song is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The track order of this song in Shahbuddin Rathod's "Jivan Ni Vaat" album is number 3 out of 10. On top of that, India appears to be the country where this track was created. Chopadi Ma Vanchelu Ghyan is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Chopadi Ma Vanchelu Ghyan by Shahbuddin Rathod to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Malve Thi Pothu Halyu Re | Bhikhudan Gadhvi | E♭ Minor | 6 | 2A | 136 BPM | ||
| Machha Na Lagna Thavana | Shahbuddin Rathod | A♭ Major | 5 | 4B | 108 BPM | ||
| Taal Tandava | Kirtidan Gadhvi | C Major | 2 | 8B | 92 BPM | ||
| "Nathni " | Aishwarya Majmudar | E♭ Minor | 6 | 2A | 180 BPM | ||
| Shambhu Sharane Padi | NARAYANSWAMI | E Minor | 5 | 9A | 79 BPM | ||
| Sankar Teri Zatame Baheti Hai | Niranjan Pandya | F Major | 7 | 7B | 108 BPM | ||
| Vijali Ne Chamkare Motida Parovi Santo | Damyanti Bardai | B Major | 7 | 1B | 105 BPM | ||
| Hal Kana Mane Dwarika Dekhad | Jigardan Gadhavi | B♭ Major | 7 | 6B | 79 BPM | ||
| Dhiruni Jail Ma Aavja | Vasant Paresh | G Major | 5 | 9B | 87 BPM | ||
| Mogal No Hoi Medo | Rajbha Gadhvi Gir | D♭ Major | 6 | 3B | 113 BPM | ||
| Laadki | Kirtidan Gadhvi, Taniskha Sanghvi, Rekha Bhardwaj | G Major | 4 | 9B | 89 BPM | ||
| Vijline Chamkare Motida Parovo | Lalita Ghodadra | G Minor | 6 | 6A | 99 BPM | ||
| Tari Aankh No Afini X Ek Ladki Ko Dekha | Jigardan Gadhavi, Ronak Pandit | A Major | 6 | 11B | 96 BPM | ||
| Ek Fadiya Ma Bey Bhaiyo | Dhirubhai Sarvaiya | G Major | 5 | 9B | 87 BPM | ||
| 75 Paghdi | Rajbha Gadhvi Gir, Kuldip Gadhvi | A♭ Minor | 4 | 1A | 95 BPM | ||
| Tari Nathdi No Sangar Mara | Birju Barot | F Minor | 8 | 4A | 56 BPM | ||
| Tari Madh Mithi Madh Mithi Vaate | Jigardan Gadhavi | F Major | 8 | 7B | 174 BPM | ||
| Manash Vadhare Padtu Khay To | Shahbuddin Rathod | C Minor | 7 | 5A | 85 BPM | ||
| Cha Ma Mankhi Hoy Chhe | Sairam Dave | D♭ Minor | 10 | 12A | 97 BPM | ||
| Jivatar Ni Vato, Pt. 6 | Shahbuddin Rathod | D Major | 1 | 10B | 80 BPM | ||
| 75 Paghdi 2 | Rajbha Gadhvi Gir, Kuldip Gadhvi | F♯ Major | 7 | 2B | 135 BPM | ||
| Meru To Dage Jena | Damyanti Bardai | A Major | 9 | 11B | 83 BPM | ||
| Mann Mohan | Krishna Beuraa, Smmit Jay, Prem D Dave | A♭ Major | 7 | 4B | 150 BPM | ||
| Balako Ne Samjo | Devayat Khavad | D♭ Major | 6 | 3B | 140 BPM | ||
| Kanane Joya | Birju Barot | F♯ Minor | 9 | 11A | 49 BPM |