Ramkumar Chatterjee's ' "Radhe Krishna Bal" was released on its scheduled release date, January 1, 1981. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 20 in Devotional Songs by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Radhe Krishna Bal is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Radhe Krishna Bal by Ramkumar Chatterjee is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pather Shesh | Kishore Kumar | B♭ Minor | 5 | 3A | 139 BPM | ||
| Humne dekha hamne paya | Brahma Kumaris | E Major | 5 | 12B | 142 BPM | ||
| Ma Tvam hi tara | Ramakrishna Math, Mahesh Ranjan Shome | D♭ Major | 2 | 3B | 130 BPM | ||
| Emon Diner | Ramkumar Chatterjee | C Major | 4 | 8B | 158 BPM | ||
| Is Tarah Mohabbat Ki Shuruwat Kijiye | Dhiraj Kant | F♯ Minor | 8 | 11A | 122 BPM | ||
| O Ma Jasode Go | Amar Pal | D♭ Major | 3 | 3B | 133 BPM | ||
| Nati Amago Bari Jaio | Gostho Gopal Das | F Major | 5 | 7B | 112 BPM | ||
| Maa Bhervi Bhavtarini | Dev Ranjan Giri | B♭ Minor | 3 | 3A | 124 BPM | ||
| Tumi Bharat Mata | Gostho Gopal Das | D♭ Major | 4 | 3B | 131 BPM | ||
| Ranga Vitthala Panduranga Vitthala | Sri Sathya Sai Bhajans | F♯ Major | 5 | 2B | 107 BPM | ||
| Radhey Govind Govind Radhey | Jagadguru Shri Kripalu Ji Maharaj, Raseshwari Devi | C Minor | 5 | 5A | 89 BPM | ||
| Daareya Achho Tumi | Kumar Sanu | C Major | 3 | 8B | 82 BPM | ||
| Dujone Dekha Holo | Mounita, Srijan Chatterjee | D♭ Major | 4 | 3B | 120 BPM | ||
| O Bidhi Amay Kalo Korle Jodi | Bhupen Hazarika | E Minor | 3 | 9A | 72 BPM | ||
| God Is Formless and Is Everywhere | Veer Manpreet Singh | C Minor | 5 | 5A | 91 BPM | ||
| Maere dil ne yahee baat dil sae kahee | Brahma Kumaris | D♭ Major | 3 | 3B | 149 BPM | ||
| Mon Keno Re Bhabish Aato | Ramkumar Chatterjee | F Major | 4 | 7B | 140 BPM | ||
| Dattatreya Atreya Putra | Sri Ganapathy Sachchidananda Swamiji | E♭ Minor | 6 | 2A | 198 BPM | ||
| Mangal Karo Mahaveer | Satish Dehra | G Major | 2 | 9B | 100 BPM | ||
| Chintaya Mama Manasa hari | Ramakrishna Math, Mahesh Ranjan Shome | F♯ Major | 4 | 2B | 146 BPM | ||
| Adham Udharan Avinashi | Swami Shree Chhapaiyaprakashdasji | E♭ Major | 7 | 5B | 139 BPM | ||
| Akhanad Roji Hai Na Hath Ma | NARAYANSWAMI | F Major | 2 | 7B | 141 BPM | ||
| Harinaam Sankirtan - Original | Amrik Singh Arora, NA | E♭ Major | 6 | 5B | 111 BPM | ||
| Banga Hriday Gomukhi | Mahesh Ranjan Shome | D Major | 4 | 10B | 140 BPM | ||
| Hridayer Byatha Biraher Katha | Bhupen Hazarika | E Major | 4 | 12B | 122 BPM |