Krista Detor's 'Sweet Comes the Sound' had a release date set for September 30, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 10 in Barely by Krista Detor. In terms of popularity, Sweet Comes the Sound is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sweet Comes the Sound by Krista Detor is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Let Me Stay | Heather Maloney | E♭ Major | 1 | 5B | 141 BPM | ||
| Whips | stef kelebu | D♭ Minor | 2 | 12A | 152 BPM | ||
| Maiden Voyage | Caroline Herring | A♭ Major | 4 | 4B | 111 BPM | ||
| Tangled in the Morning | keysha Garcia | G Minor | 1 | 6A | 86 BPM | ||
| Devil's Heart | Julie Matthews | B♭ Major | 1 | 6B | 134 BPM | ||
| Come Pick Me Up | Amy Speace | C Major | 3 | 8B | 117 BPM | ||
| Time, Time | Amelia Curran | B♭ Major | 2 | 6B | 119 BPM | ||
| As Autumn Falls | Without Willow | C Major | 2 | 8B | 130 BPM | ||
| The One for You | Fyla | F♯ Minor | 1 | 11A | 140 BPM | ||
| Flag Song | Abigail Lapell | G Major | 1 | 9B | 120 BPM | ||
| Farewell to Bitterroot Valley | Dave Carter, Tracy Grammer | G Minor | 1 | 6A | 136 BPM | ||
| San Andreas Fault | Amelia Curran | F♯ Major | 3 | 2B | 136 BPM | ||
| Respond | Susanettroy | A♭ Major | 1 | 4B | 201 BPM | ||
| The Show Is Over | Without Willow | C Major | 2 | 8B | 130 BPM | ||
| The Doorbell Rang | Ashtyn Barbaree | B Major | 5 | 1B | 80 BPM | ||
| Sleepless Shapes | Fransuas Mcs | A♭ Major | 2 | 4B | 114 BPM | ||
| Fizzy Dreams | Madison Blue | A♭ Major | 0 | 4B | 110 BPM | ||
| Helpless | Chris Pureka | C Major | 2 | 8B | 120 BPM | ||
| The Way It Never Was | Kim Richey | D Major | 4 | 10B | 120 BPM | ||
| For All Time | Laura Nelson Kelly | F♯ Minor | 3 | 11A | 158 BPM | ||
| At the End of the Path | Bere Mendoza | F Major | 4 | 7B | 80 BPM | ||
| The Water Round | Krista Detor | A Minor | 1 | 8A | 70 BPM | ||
| Softness Remains | Matilde Guirish | A♭ Major | 2 | 4B | 114 BPM | ||
| All to do with the Moon | Krista Detor | D Major | 3 | 10B | 155 BPM | ||
| Hot Buttered Rum | Krista Detor | E Major | 5 | 12B | 104 BPM |