Alceste, HWV 45: Symphony by George Frideric Handel, Academy of Ancient Music, Christopher Hogwood Song Details

George Frideric Handel, Academy of Ancient Music, Christopher Hogwood's 'Alceste, HWV 45: Symphony' had a release date set for January 1, 1989. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Christopher Hogwood, Academy of Ancient Music's "Handel: Alceste; Comus" album is number 16 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Alceste, HWV 45: Symphony's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Alceste, HWV 45: Symphony by George Frideric Handel, Academy of Ancient Music, Christopher Hogwood to be Allegro (fast, quick, and bright) because the track has a tempo of 154 BPM, a half-time of 77BPM, and a double-time of 308 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.

Music Key

This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -17.857 dB
Acousticness: 84%
Danceability: 28%
Energy: 29%
Instrumentalness: 53%
Liveness: 7%
Loudness: 70%
Speechiness: 4%
Valence: 33%

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