Chandana Liyanarachchi's ' "Kiri Kala Hatha" was released on its scheduled release date, 2011. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Kiri Kala Hatha and no other songs are present in the album, we classify this track as a single. Based on our statistics, Kiri Kala Hatha's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kiri Kala Hatha by Chandana Liyanarachchi to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saknaiyo Nwng | Biswanath Debbarma, Sourabhee Debbarma | D Major | 7 | 10B | 95 BPM | ||
| Sanda Haadu Didee | Rathna Sri Wijesinghe, Chandana Liyanarachchi | A Major | 4 | 11B | 123 BPM | ||
| Premaye Paruwen | Senanayaka Weraliyadda | G Minor | 6 | 6A | 145 BPM | ||
| Dehi Malak | Kingsley Peiris | B Minor | 6 | 10A | 145 BPM | ||
| Deliya Mala | Kingsley Peiris | C Major | 6 | 8B | 141 BPM | ||
| Yashodara | Sanath Nandasiri | A♭ Major | 5 | 4B | 98 BPM | ||
| Waisa Wuisu Mirik Khao | Gobin Debbarma, Meenakshi Debbarma | G Major | 4 | 9B | 155 BPM | ||
| Nahor Fula Dekhi | Mousam Gogoi | C Major | 6 | 8B | 152 BPM | ||
| Nono Nugui | Manik Debbarma, Anamika Reang | F♯ Major | 7 | 2B | 90 BPM | ||
| Nidi Dewu Duwata Hora | Chandana Liyanarachchi | G Minor | 5 | 6A | 142 BPM | ||
| Sayuren Eha | Nihal Gamhewa, Chandana Liyanarachchi | D Minor | 7 | 7A | 133 BPM | ||
| Jibon Moru (Pole Pole Ure Mon) | Parineeta Borthakur | F♯ Major | 6 | 2B | 144 BPM | ||
| Flashback Bajawwa (III) | Flashback Sri Lanka | F♯ Major | 8 | 2B | 153 BPM | ||
| Oba Dunnu Adaraye | Rohana Weerasinghe, Shiyama Gunawardhana, Chandana Liyanarachchi | E Minor | 3 | 9A | 80 BPM | ||
| Deepawalee Daata | Asanka Priyamantha | C Major | 4 | 8B | 125 BPM | ||
| O Ani Kha Kobor | Sanjita Debbarma, Sourabhee Debbarma, Bhabatosh Debbarma | C Major | 5 | 8B | 121 BPM | ||
| Adaraneeya Niranjana | Priya Suriyasena | A Major | 4 | 11B | 86 BPM | ||
| Rangi Changi Phool | Shambhu Rai | G Major | 7 | 9B | 83 BPM | ||
| Alu Kobei Kirilli | Namal Udugama, Jayasiri Amarasekara, Channa Jayanath | G Major | 7 | 9B | 185 BPM | ||
| Cheralonaina | Symphony Music, A R Stevenson | A Major | 4 | 11B | 105 BPM | ||
| Tangkimari - Original | Sarbeswar Kardong, NA | C Major | 7 | 8B | 150 BPM | ||
| Tumar Naam | Rajib Sadiya | A♭ Minor | 4 | 1A | 82 BPM | ||
| Hinahenna Oba Gaawa | Malka Mallawa, Chandana Liyanarachchi | E Minor | 7 | 9A | 100 BPM | ||
| Pogna Nairwk Nairwk | Goutam Debbarma, Usha Debbarma | A Major | 6 | 11B | 93 BPM | ||
| Sandamali | Hemasiri Halpita, Chandana Liyanarachchi | B♭ Major | 2 | 6B | 124 BPM |