"July Eleventh Nineteen Ninety-Seven" by Maya Shore had its release date on July 11, 2001. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 8 in Farewell to Introductions by Maya Shore. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of July Eleventh Nineteen Ninety-Seven is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of July Eleventh Nineteen Ninety-Seven by Maya Shore is Presto (very, very fast), since this song has a tempo of 179 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Psammite | Skiploader | D Major | 9 | 10B | 177 BPM | ||
| I Can Sing It For You | North Folk | E Major | 6 | 12B | 132 BPM | ||
| Fallen Star | Pop Unknown | F♯ Minor | 6 | 11A | 127 BPM | ||
| Jort Star | Summer 2000 | D Major | 7 | 10B | 139 BPM | ||
| Microchip | Penfold | F Major | 9 | 7B | 166 BPM | ||
| She Went to China | Maya Shore | F Major | 6 | 7B | 158 BPM | ||
| Crisis in Silence | Edaline | D Major | 6 | 10B | 96 BPM | ||
| Barcelona To Madrid | The Shyness Clinic | D Major | 6 | 10B | 131 BPM | ||
| Truman Burbank At Sea | Hold Music | B♭ Minor | 1 | 3A | 172 BPM | ||
| Scattered Blue Light | September | B Minor | 3 | 10A | 152 BPM | ||
| Times & Dates | Penpal | B Minor | 7 | 10A | 100 BPM | ||
| Crickets (1996) | Strictly Ballroom | G Major | 6 | 9B | 181 BPM | ||
| Going | Pot Valiant | D Major | 3 | 10B | 138 BPM | ||
| Twenty Four of Twenty Five | Boys Life | C Major | 3 | 8B | 129 BPM | ||
| Fives On The Whiskey | Nymb | D Major | 2 | 10B | 114 BPM | ||
| I Am Light Circling Back To Its Source - Bonus Track | The Shyness Clinic | A Minor | 6 | 8A | 124 BPM | ||
| West | M.I.J. | E Minor | 9 | 9A | 174 BPM | ||
| 20 Mobiles For Gazing | Nymb | A Major | 7 | 11B | 82 BPM | ||
| Stars | The Appleseed Cast | D Major | 7 | 10B | 181 BPM | ||
| Half Past April | Rainer Maria | B Major | 4 | 1B | 150 BPM | ||
| Slower | Mineral | D Major | 9 | 10B | 164 BPM | ||
| Truth | Still Life | G Minor | 6 | 6A | 138 BPM | ||
| No Hero | Benton Falls | A Minor | 8 | 8A | 137 BPM | ||
| Forest Green And Autumn | Rockets And Bluelights (Close At Hand) | E Minor | 9 | 9A | 130 BPM | ||
| Speaking Tube | Vitreous Humor | B Minor | 10 | 10A | 169 BPM |