"Big Stage Debut" by John Debney had its release date on September 8, 2017. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in John Debney's "Home Again (Original Motion Picture Soundtrack)" album is number 10 out of 13. On top of that, United States appears to be the country where this track was created. In terms of popularity, Big Stage Debut is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Big Stage Debut by John Debney to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Perfect Wedding Day | Randy Edelman | A♭ Major | 2 | 4B | 119 BPM | ||
| Sad Homecoming | William Ross | D♭ Major | 1 | 3B | 79 BPM | ||
| Adore | Christopher Gordon | D♭ Major | 2 | 3B | 109 BPM | ||
| Drawing Pooh | Carter Burwell | A Minor | 2 | 8A | 93 BPM | ||
| Goodnight, Children | Patrick Doyle | G Minor | 1 | 6A | 126 BPM | ||
| A Strange Shape | Kevin Smuts | B Major | 1 | 1B | 110 BPM | ||
| Evelyn Goes It Alone | Geoff Zanelli, Jon Brion | F♯ Minor | 1 | 11A | 83 BPM | ||
| I Know Those Birds | Howard Harper-Barnes | F Major | 1 | 7B | 87 BPM | ||
| Mia Invites Lilly To The Ball - Score | John Debney | A Major | 0 | 11B | 122 BPM | ||
| One Down In Gaza | W.G. Snuffy Walden | G Major | 1 | 9B | 69 BPM | ||
| Introducing Tiddler | Terry Davies, Tiddler | D Major | 3 | 10B | 96 BPM | ||
| Worth Fighting For | Patrick Doyle | G Major | 1 | 9B | 75 BPM | ||
| My Favorite Day | Geoff Zanelli, Jon Brion | C Major | 1 | 8B | 82 BPM | ||
| God Is A Monarchist - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | D Major | 1 | 10B | 154 BPM | ||
| Monologues | Joel P West | E♭ Major | 0 | 5B | 135 BPM | ||
| A Day Together | John Barry, John Debney, Royal Scottish National Orchestra | C Major | 2 | 8B | 164 BPM | ||
| Two Cathedrals | W.G. Snuffy Walden | C Major | 1 | 8B | 77 BPM | ||
| Daniel and the Kids | Howard Shore | C Major | 1 | 8B | 120 BPM | ||
| Old Woman | John Barry, John Debney, Royal Scottish National Orchestra | C Major | 1 | 8B | 170 BPM | ||
| Violet | The Chamber Orchestra Of London | A Minor | 1 | 8A | 84 BPM | ||
| The Kiss - Score | John Debney | A Major | 1 | 11B | 40 BPM | ||
| Erizando La Piel | Sirenas Celestiales | G Minor | 2 | 6A | 140 BPM | ||
| Most Ardently in Love | Samuel Sim | G Minor | 2 | 6A | 153 BPM | ||
| やわらかな朝の光 | Michiru Oshima | D Major | 3 | 10B | 78 BPM | ||
| "Mr Warne!" | Nigel Westlake | G Major | 1 | 9B | 93 BPM |