Jon Opstad's 'Adorable Scamps' had a release date set for March 10, 2020. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Adorable Scamps's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Rainbow Six Siege: Year 4 (Original Music from the Rainbow Six Siege Series)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Canada. The popularity of Adorable Scamps is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Adorable Scamps by Jon Opstad having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zero Hour | Martin Phipps | F♯ Major | 1 | 2B | 70 BPM | ||
| The Lambing | Tóti Guðnason | E♭ Minor | 0 | 2A | 86 BPM | ||
| Hide And Seek | Anne Nikitin, Jessica Jones | G Major | 2 | 9B | 94 BPM | ||
| Acqua E Sangue | Sagrifizio | E Minor | 6 | 9A | 96 BPM | ||
| Magnetic Music | Hotto | A♭ Major | 1 | 4B | 170 BPM | ||
| Lyraq | Andrew Lockington | B♭ Minor | 3 | 3A | 96 BPM | ||
| Know You Are Loved | Jon Opstad | A Major | 1 | 11B | 71 BPM | ||
| Can You Hear Me? | Lindi Bray | C Minor | 5 | 5A | 62 BPM | ||
| Limerick Re-Imagined | Martin Phipps, The Chamber Orchestra Of London | A Minor | 1 | 8A | 77 BPM | ||
| Formations | Rob Cairns | E Major | 2 | 12B | 117 BPM | ||
| Hasta Pronto | EDO ZENITH | F Minor | 1 | 4A | 172 BPM | ||
| Every Operator Dies | Jon Opstad | B Major | 5 | 1B | 111 BPM | ||
| The Turing Test | Ben Salisbury, Geoff Barrow | D♭ Major | 0 | 3B | 139 BPM | ||
| The Crucible | Danny Cocke, Paul Haslinger, Jon Opstad | F♯ Major | 4 | 2B | 95 BPM | ||
| Haven Spies | David Reichelt | D Minor | 2 | 7A | 78 BPM | ||
| Back to Myself | Samira Bashirova, Sgold | B Minor | 3 | 10A | 71 BPM | ||
| Didn't Go Inside | Hannes De Maeyer, Ruben de Gheselle | C Minor | 1 | 5A | 120 BPM | ||
| Unmarked Graves | Jon Opstad | B Major | 5 | 1B | 111 BPM | ||
| Strange People | Martin Phipps | F♯ Major | 1 | 2B | 70 BPM | ||
| Razones Sin Peso | Hasta El Final | D Minor | 1 | 7A | 87 BPM | ||
| Apariciones Repentinas | Hasta El Final | B♭ Major | 1 | 6B | 110 BPM | ||
| Beverly Hills | Aysel Kazim, Selenay Kazim | C Minor | 3 | 5A | 85 BPM | ||
| Continuum | Silent Axis | D♭ Minor | 1 | 12A | 57 BPM | ||
| Paradox | Thomas Farnon | E Minor | 3 | 9A | 80 BPM | ||
| Beetles vs. Forest | Pinar Toprak, Tyler Durham | G Major | 3 | 9B | 79 BPM |