"Nocturne No. 17 In E Major" by Benjamin Frith, John Field had its release date on June 3, 2000. This song appears to be safe for all ages as it is not explicit. The song is number 10 out of 11 in FIELD: Piano Music, Vol. 2 by Benjamin Frith. Nocturne No. 17 In E Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nocturne No. 17 In E Major by Benjamin Frith, John Field is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nocturne No. 16 In F Major, H. 62: Nocturne No. 16 In F Major | Benjamin Frith, John Field | F Major | 0 | 7B | 71 BPM | ||
| Goldberg Variations (‘Air with Thirty Variations’), BWV 988: XI. Andante con grazia [ossia] | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 0 | 9A | 75 BPM | ||
| Piano Sonata in D Minor, K517 | Peter Katin | D Minor | 2 | 7A | 149 BPM | ||
| 6 Chorale Preludes, BV B 50: Schmücke dich, o liebe Seele, Op. 122/5 | Johannes Brahms, Ferruccio Busoni, Igor Levit | E Major | 0 | 12B | 75 BPM | ||
| 2 Piano Pieces, Op. 38: Mazurka, Op. 38, No. 2 | Nikolai Rimsky-Korsakov, Juan Francisco Otón | F Minor | 0 | 4A | 69 BPM | ||
| Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: II. Villanella (Quadro III | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 136 BPM | ||
| Piano Sonata No. 3 in E Major, D. 459: III. Adagio | Franz Schubert, Gottlieb Wallisch | F Minor | 0 | 4A | 74 BPM | ||
| Waltz In E Flat Opus Posth. Kk4A No. 14 | Frédéric Chopin, Alice Sara Ott | G Minor | 1 | 6A | 112 BPM | ||
| Mendelssohn - Lieder, S547/R217 (7 Lieder From Mendelssohn, Op, 19a, 34, 47) : Sonntagslied(from Op. 19a, No. 5) | Joseph Banowetz, Franz Liszt | E Minor | 1 | 9A | 113 BPM | ||
| Lyric Pieces, Book 4, Op. 47: Melodi (Melody) | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 0 | 12B | 63 BPM | ||
| Prélude, Choral et Fugue, FWV 21: Fugue. Tempo I° | César Franck, Nikolai Lugansky | D Major | 1 | 10B | 68 BPM | ||
| Sonata No. 8, Hob. XVI:5: II. Menuet | Joseph Haydn, Jean-Efflam Bavouzet | C Major | 3 | 8B | 152 BPM | ||
| Valse Arabesque, Op. 98 No. 4 | Cécile Chaminade, Eric Parkin | D♭ Major | 1 | 3B | 67 BPM | ||
| Brahms: 3 Intermezzi, Op. 117: No. 2 in B-Flat Minor | Johannes Brahms, Nicholas Angelich | B♭ Minor | 0 | 3A | 71 BPM | ||
| Stimmungsbilder, Op. 9: No. 4, Reverie (Träumerei) - Welte-Mignon 1189 | Richard Strauss, Peter Phillips | B Major | 0 | 1B | 128 BPM | ||
| Schumann: Romance No. 2 in F-Sharp Major, Op. 28 | Robert Schumann, Catherine Collard | F♯ Major | 0 | 2B | 128 BPM | ||
| Vora 'l Ter (On the Banks of the Ter) | Aita Donostia, Jordi Masó | E Major | 1 | 12B | 170 BPM | ||
| Piano Sonata in G Minor: II. Adagio | Clara Schumann, Gabriela Montero, Alexander Shelley, Canada's National Arts Centre Orchestra | B♭ Major | 0 | 6B | 71 BPM | ||
| Schumann - Liebeslied, S566/R253, "Widmung": Gross Liebeslied, S566b/R253b | Joseph Banowetz, Franz Liszt | E Minor | 1 | 9A | 113 BPM | ||
| Sarabande Variations (from Suite in D Minor, HWV 437): Variation III | George Frideric Handel, Martin Stadtfeld | D Minor | 2 | 7A | 74 BPM | ||
| Humoresque, Op. 10, No. 2 in G Major (Based on a French Popular Song) - Duo-Art 7115 | Pyotr Ilyich Tchaikovsky, Josef Hofmann, Peter Phillips | G Major | 1 | 9B | 82 BPM | ||
| Pierette air de ballet, Op. 41 | Cécile Chaminade, Mark Viner | E♭ Major | 1 | 5B | 123 BPM | ||
| Deux Arabesques, L. 66: No. 1, Andantino con moto | Claude Debussy, Saskia Giorgini | B Minor | 1 | 10A | 63 BPM | ||
| Improvisation No. 2 | Gabriela Montero | F♯ Major | 0 | 2B | 67 BPM | ||
| I. Allegro vivace | John Field, Benjamin Frith | E Major | 1 | 12B | 132 BPM |