"Stabat Mater: XII. Quando Corpus" by New Trinity Baroque had its release date on November 17, 2008. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Stabat Mater: XII. Quando Corpus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Pergolesi: Stabat Mater". In this album, this song's track order is #12. Stabat Mater: XII. Quando Corpus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater: XII. Quando Corpus by New Trinity Baroque having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Domine ad adiuvandum me festina, RV 593: Sicut erat: Andante-Allegro | Antonio Vivaldi, Musica Fiata, Roland Wilson | E Minor | 2 | 9A | 130 BPM | ||
| Overture No. 6 in B-Flat Major: III. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 1 | 2B | 117 BPM | ||
| Sonata à 2 in D Minor | Antonio Bertali, Ecco la musica | E♭ Major | 1 | 5B | 112 BPM | ||
| Cantata III. Ad Manus (To the Hands): II. Quid Sunt Plagae [Chorus] | Dietrich Buxtehude, New Trinity Baroque, Predrag Gosta | G Minor | 1 | 6A | 85 BPM | ||
| Concerto Grosso in G Minor, Op. 3, No. 10: III. Largo | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 125 BPM | ||
| Concerto Decimo Con L'Eco, B Dur: II. Larghetto | Alessandro Marcello, Venice Baroque Orchestra | E Major | 0 | 12B | 85 BPM | ||
| Violin Concerto in E Minor, S. C788, Op. 1 No. 2: IV. Prestissimo | Benedetto Marcello, Amandine Beyer, Gli Incogniti | B Minor | 3 | 10A | 118 BPM | ||
| Concerto in G Major for Oboe, Strings and Basso continuo: II. Adagio | Giovanni Benedetto Platti, Frans Brüggen, Bruce Haynes, L'arpa Festante | B Major | 1 | 1B | 103 BPM | ||
| Purcell: The Fairy Queen, Z. 629, Act II. Song. "One Charming Night" | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman, Geraint Rogers | B Minor | 0 | 10A | 78 BPM | ||
| Concerto Grosso in G Minor, Op. 3, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E♭ Major | 1 | 5B | 130 BPM | ||
| Concerto No. 7 in G Minor After D. Scarlatti: IV. Allegro affettuoso | Charles Avison, Jeanne Lamon, Tafelmusik Baroque Orchestra | A♭ Major | 2 | 4B | 131 BPM | ||
| Rosenkranzsonate No. 6 in C Minor, C 95 "The Agony in the Garden": Ib. Adagio | Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria | F♯ Minor | 0 | 11A | 77 BPM | ||
| Concerto grosso in B-Flat Major, Op. 1 No.3: II. Allegro | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | A Major | 3 | 11B | 99 BPM | ||
| Concerto Grosso in C Minor, Op. 1, No. 2: I. Adagio | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Minor | 3 | 5A | 155 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 7 : VI. Vivace | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | D Major | 2 | 10B | 98 BPM | ||
| Sonata No. 2 in A Major, C. 91 "The Visitation": Sonata - Allemanda - Presto | Heinrich Ignaz Franz von Biber, Rachel Podger, David Miller, Marcin Świątkiewicz, Jonathan Manson | A♭ Major | 1 | 4B | 67 BPM | ||
| Cantata I. Ad Pedes (To the Feet): V. Dulcis Jesu [Bass] | Dietrich Buxtehude, New Trinity Baroque, Predrag Gosta | C Minor | 1 | 5A | 144 BPM | ||
| Magnificat in G Minor, RV 610a: IX. Gloria | Antonio Vivaldi, Le Concert Spirituel, Herve Niquet | E♭ Minor | 2 | 2A | 130 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: III. Grave | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Trumpet Concerto in D Major, G. 28: V. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward Tarr | G Major | 2 | 9B | 115 BPM | ||
| Concerto In F Major for Soprano Recorder & Strings: Allegro assai | Thierry Perenoud, The Baroque Soloists Of Amsterdam | E Major | 1 | 12B | 109 BPM | ||
| Concerto Grosso in B-Flat Major, Op. 1, No. 3: II. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | E Minor | 1 | 9A | 101 BPM | ||
| Sonata & Suite in B-Dur, BuxWV 273: Sonata & Suite in B-Dur, BuxWV 273: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A Major | 3 | 11B | 91 BPM | ||
| Telemann: Concerto for Oboe and Violin, TWV 52:c1: II. Allegro (Formerly Attributed to Vivaldi as RV Anh. 17) | Georg Philipp Telemann, Jaap Schröder, Michel Piguet, Concerto Amsterdam | F♯ Minor | 3 | 11A | 101 BPM | ||
| Concerto In C Minor for Alto Recorder & Strings, P 440: Allegro | Thierry Perenoud, The Baroque Soloists Of Amsterdam | B Minor | 1 | 10A | 148 BPM |