"4 Fanfares for 2 Trumpets: No. 1, Strict, relentless" by Andrew Rindfleisch, Meridian Arts Ensemble had its release date on April 2, 2013. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Rindfleisch: In the Zone". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. 4 Fanfares for 2 Trumpets: No. 1, Strict, relentless is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Fanfares for 2 Trumpets: No. 1, Strict, relentless by Andrew Rindfleisch, Meridian Arts Ensemble having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| poor hymnal: No. 3, our hearts tell us | David Lang, The Crossing, Donald Nally | C Minor | 0 | 5A | 129 BPM | ||
| Lauda 3 | Gavin Bryars, Roger Heaton | G Minor | 0 | 6A | 76 BPM | ||
| The Desert Music: First Movement - Fast | Steve Reich, Brooklyn Philharmonic and Chorus, Michael Tilson Thomas | G Minor | 4 | 6A | 93 BPM | ||
| Me! Come! My Dazzled Face! | Andrew Rindfleisch, Isthmus Vocal Ensemble, Scott MacPherson | B♭ Minor | 0 | 3A | 127 BPM | ||
| Crossing | Julia Kent | F Major | 0 | 7B | 51 BPM | ||
| Mystère indicible | Delphine Dora | A Minor | 1 | 8A | 130 BPM | ||
| Mirror - En Vivo | Jimmy Herrera | F Major | 1 | 7B | 107 BPM | ||
| Riessler: Deceleration | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Dzonot: III. Jade | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Alisa Weilerstein | G Major | 2 | 9B | 85 BPM | ||
| Ornament and Crime: III. Ornament III | Bryce Dessner, Tim Fain | G Minor | 1 | 6A | 132 BPM | ||
| Sex Celeste | Daniel Blumberg | G Major | 0 | 9B | 69 BPM | ||
| 4 Pieces for Violin and Piano, Op. 7: No. 1, Sehr Langsam | Anton Webern, Diamanda La Berge Dramm, Helena Basilova | F♯ Minor | 0 | 11A | 133 BPM | ||
| Old Style | Nazec | F Major | 1 | 7B | 81 BPM | ||
| The Evergreen: II. Stem | Caroline Shaw, Attacca Quartet | B♭ Major | 1 | 6B | 171 BPM | ||
| Akhnaten, Act II: Dance | Philip Glass, Metropolitan Opera Orchestra and Chorus, Karen Kamensek, Metropolitan Opera Orchestra | B♭ Major | 0 | 6B | 91 BPM | ||
| Valencia | Caroline Shaw, Attacca Quartet | F Major | 1 | 7B | 137 BPM | ||
| stateless | David Lang, The Crossing, Donald Nally | A Major | 1 | 11B | 114 BPM | ||
| Salmo de Alabanza (Live) | Andrew Rindfleisch, University of Texas at Arlington a Cappella Choir, Karen Kenaston-French | C Major | 1 | 8B | 127 BPM | ||
| Bruremarsj frå Beiarn (Perf. on Sheng, Viola & Double Bass) | Traditional, Wu Wei, Martin Stegner, Janne Saksala | D Major | 0 | 10B | 130 BPM | ||
| Sacred Place: V. Kaddish | Alex Berko, Conspirare, David Kurtenbach Rivera, Lauren McAllister, Simon Barrad, Meg Dudley, Carla McElhaney, Sandy Yamamoto, Daniel Kopp, Craig Hella Johnson | D Minor | 1 | 7A | 112 BPM | ||
| the little match girl passion: it was terribly cold | David Lang, Theatre Of Voices, Paul Hillier | F Minor | 0 | 4A | 131 BPM | ||
| John Adams Road Movies III 40 Percent Swing | Frank Cassara, Helen Lin | D Major | 3 | 10B | 154 BPM | ||
| Conservatives United | Andrew Rindfleisch | G Major | 6 | 9B | 108 BPM | ||
| Lobgesang, Op. 76 | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | E Major | 0 | 12B | 77 BPM | ||
| Calmo e ricercato | Campana Tibetana | C Minor | 0 | 5A | 78 BPM |