George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra's 'Glory To God In The Highest - Live' had a release date set for January 1, 1987. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 18 out of 54. On top of that, United States appears to be the country where this track was created. In terms of popularity, Glory To God In The Highest - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Glory To God In The Highest - Live by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Christmas Lullaby | John Rutter, City of London Sinfonia, The Cambridge Singers | F Major | 1 | 7B | 85 BPM | ||
| On Jordan's bank the Baptist's cry | Anon, Salisbury Cathedral Choir, Director Simon Lole | B♭ Major | 2 | 6B | 83 BPM | ||
| In the Bleak Midwinter | Beckenhorst Singers, Craig Courtney, Dan Forrest | B♭ Major | 0 | 6B | 69 BPM | ||
| Benson "God Is Working His Purpose Out" | Millicent D. Kingham, Manchester Cathedral Choir, Jeffrey Makinson, Christopher Stokes | F Major | 0 | 7B | 127 BPM | ||
| Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 13, Trio and Chorus. "The Heavens Are Telling" (Chorus, Gabriel, Uriel, Raphael) | Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks | C Major | 3 | 8B | 88 BPM | ||
| Holst: 3 Hymns for the English Hymnal: No. 1, In the Bleak Mid-Winter | Choir of King's College, Cambridge, Stephen Cleobury | F Major | 0 | 7B | 79 BPM | ||
| Jesus Christ the Apple Tree | Elizabeth Poston, The Cambridge Singers, John Rutter | D♭ Major | 0 | 3B | 112 BPM | ||
| We three kings of Orient are (Arr. Martin Neary) | John Henry Hopkins, Stephen Cleobury, Choir of King's College, Cambridge, Henry Websdale | A Major | 1 | 11B | 104 BPM | ||
| Heavenly Father (Ave Maria, Op. 52 No. 6, D. 839) | Franz Schubert, The Tabernacle Choir at Temple Square, Columbia Symphony Orchestra, Jerold D. Ottley | B♭ Major | 1 | 6B | 85 BPM | ||
| Missa Brevis No. 7 In B Major St. Joannis De Deo - Agnus Dei | Joseph Haydn, Vienna Chamber Orchestra, Orchester der Wiener Staatsoper, Hans Gillesberger | A♭ Major | 2 | 4B | 112 BPM | ||
| Onwards Christian Soldiers | The Oxford Trinity Choir | F Major | 3 | 7B | 102 BPM | ||
| Ave Verum | Karl Jenkins, The Priests, Allan Wilson, Slovak National Symphony Orchestra | D♭ Major | 8 | 3B | 187 BPM | ||
| Rejoice in the Lord Always | The Choir Of Westminster Abbey, Martin Baker, London Brass, Iain Simcock, Martin Neary | A♭ Major | 2 | 4B | 71 BPM | ||
| Lift Up Your Heads O Ye Gates | 101 Strings Orchestra | F Major | 5 | 7B | 105 BPM | ||
| Messiah, HWV 56 / Pt. 1: Comfort Ye My People | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Philip Langridge | B Major | 1 | 1B | 101 BPM | ||
| Messiah: Part 3, Amen (Chorus) | The Sixteen | D♭ Major | 3 | 3B | 109 BPM | ||
| The Coventry Carol | King's College Choir | G Major | 1 | 9B | 75 BPM | ||
| Messiah, HWV 56, Pt. 2: No. 44, Chorus. Hallelujah, for the Lord God Omnipotent Reigneth | George Frideric Handel, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 4 | 10B | 109 BPM | ||
| Comfort Ye, My People | The Choir and Orchestra of Pro Christe | B Major | 0 | 1B | 87 BPM | ||
| Ave Maris Stella | Edvard Grieg, Gabrieli, Paul McCreesh | G Major | 1 | 9B | 93 BPM | ||
| Halleluja | Soundiva Classical Choir | A Major | 1 | 11B | 79 BPM | ||
| Traditional: Joy to the World! | Choir of King's College, Cambridge, Peter Stevens | D Major | 1 | 10B | 86 BPM | ||
| Vivaldi: Dixit Dominus in D Major, RV 594: X. Sicut erat in principio | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | A♭ Major | 3 | 4B | 110 BPM | ||
| Jesus Christ the Apple Tree | The Sixteen | C Major | 1 | 8B | 86 BPM | ||
| We Three Kings of Orient Are | St. Paul's Cathedral Choir | A♭ Major | 3 | 4B | 59 BPM |