"William Tell (Complete)" by Howard Shore, Ornette Coleman had its release date on October 14, 2014. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. William Tell (Complete)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Naked Lunch (The Complete Original Soundtrack Remastered) [Collector's Edition Vol. 6]". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. William Tell (Complete) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With William Tell (Complete) by Howard Shore, Ornette Coleman having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Can't Hear You | Rupert Gregson-Williams | E Minor | 1 | 9A | 136 BPM | ||
| Abandon Ship | Roque Baños | F Minor | 3 | 4A | 92 BPM | ||
| The Imitation Game | Alexandre Desplat, London Symphony Orchestra | F Minor | 3 | 4A | 104 BPM | ||
| Tristan & Yvaine | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 2 | 9B | 69 BPM | ||
| Main Title - From "The Last Of The Mohicans" | Trevor Jones | D Minor | 3 | 7A | 178 BPM | ||
| Blood Ritual | Klaus Badelt | D Major | 4 | 10B | 181 BPM | ||
| Théoden King / "The Funeral of Théodred" (feat. Miranda Otto) | Howard Shore, Miranda Otto | E Minor | 1 | 9A | 81 BPM | ||
| Howling Fjord | Russell Brower, Derek Duke, World of Warcraft, Blizzard Entertainment | A♭ Minor | 2 | 1A | 78 BPM | ||
| At The Burrow | Alexandre Desplat | C Minor | 1 | 5A | 77 BPM | ||
| A Journey in the Dark | Howard Shore | D Minor | 2 | 7A | 84 BPM | ||
| Finale - The Sword in the Stone | Rohan Stevenson | B♭ Minor | 1 | 3A | 91 BPM | ||
| Grazelands Dawn (feat. Jeremy Soule) | Brad Derrick, Jeremy Soule | G Minor | 2 | 6A | 141 BPM | ||
| Hope and Memory | Howard Shore | D Minor | 1 | 7A | 69 BPM | ||
| Another Year Ends | Patrick Doyle | G Major | 1 | 9B | 75 BPM | ||
| Snape to Malfoy Manor | Alexandre Desplat | D Major | 5 | 10B | 63 BPM | ||
| Evelyn Goes It Alone | Geoff Zanelli, Jon Brion | F♯ Minor | 1 | 11A | 83 BPM | ||
| Launch | Trevor Rabin | C Major | 4 | 8B | 69 BPM | ||
| The Road to Isengard | Howard Shore | G Major | 1 | 9B | 144 BPM | ||
| Someone Loves Us | Dario Marianelli | E Major | 0 | 12B | 84 BPM | ||
| Parlay | Randy Edelman | C Minor | 0 | 5A | 89 BPM | ||
| Fireworks | Nicholas Hooper | D Major | 5 | 10B | 100 BPM | ||
| Harry and Ginny | Alexandre Desplat | D Minor | 0 | 7A | 67 BPM | ||
| Moons of Evening Star | Brad Derrick | F♯ Minor | 1 | 11A | 70 BPM | ||
| The Eagles (feat. Renée Fleming) | Howard Shore, Renée Fleming | C Major | 0 | 8B | 97 BPM | ||
| Wings of Kynareth | Jeremy Soule, The Elder Scrolls | D Minor | 2 | 7A | 87 BPM |