On 2016, the song "More To Stay" was released by Farseek. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. More To Stay's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 12 in Fear of Missing Out by Farseek. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. More To Stay is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of More To Stay by Farseek is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Time To Change | The Losing Score | D Major | 10 | 10B | 94 BPM | ||
| Rue the Day | Carly Cosgrove | A Major | 3 | 11B | 160 BPM | ||
| Macaroni Time | Brave Bird | E Major | 10 | 12B | 99 BPM | ||
| Going Away For Awhile | Kerosene Heights | A Major | 9 | 11B | 128 BPM | ||
| Nothing Waiting | New Junk City | B Major | 10 | 1B | 173 BPM | ||
| 19 | sonia is dead | F♯ Minor | 9 | 11A | 64 BPM | ||
| New Short Haircut | Farseek | D♭ Major | 9 | 3B | 148 BPM | ||
| The Hallway | Aren't We Amphibians | B Major | 10 | 1B | 97 BPM | ||
| Android 17(76) | We Hate Rowan | F♯ Minor | 9 | 11A | 64 BPM | ||
| A Gift | Farseek | D♭ Major | 8 | 3B | 172 BPM | ||
| Great Lake Jumper | Bottom Bracket | A♭ Major | 7 | 4B | 190 BPM | ||
| When I Come Undone - Live at Studio 4 | Balance And Composure | E Minor | 8 | 9A | 143 BPM | ||
| Trying Is Hard | Celebration Guns | G Major | 9 | 9B | 150 BPM | ||
| Finstacore | Equipment | A♭ Major | 9 | 4B | 98 BPM | ||
| Didn't Mean It | Mildura | B♭ Major | 8 | 6B | 132 BPM | ||
| Roots | New Junk City | A Major | 9 | 11B | 95 BPM | ||
| Moving Target | Tiny Voices | A Major | 9 | 11B | 123 BPM | ||
| Was The Grink There? | Summerbruise | D Major | 7 | 10B | 90 BPM | ||
| Premonition | Seltzer | A Major | 10 | 11B | 119 BPM | ||
| 532 | Aren't We Amphibians | B♭ Major | 10 | 6B | 96 BPM | ||
| I’ll Buy No Deer | Dryjacket | F♯ Minor | 9 | 11A | 64 BPM | ||
| The Thrill Is Gone | Guest Room Status | A♭ Major | 8 | 4B | 157 BPM | ||
| Poster Child | Escape Durgin | B♭ Major | 7 | 6B | 125 BPM | ||
| Cut Me Open - Live at Studio 4 | Balance And Composure | E Minor | 8 | 9A | 143 BPM | ||
| Natty Daddy | Farseek | A Major | 7 | 11B | 100 BPM |