Richard Rodgers, Erich Kunzel, Cincinnati Pops Orchestra's 'Rodgers: The Song Of The High Seas (From "Victory At Sea")' had a release date set for March 1, 1989. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Selections From Victory At Sea, War And Remembrance & Other Favorites". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Rodgers: The Song Of The High Seas (From "Victory At Sea")'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rodgers: The Song Of The High Seas (From "Victory At Sea") by Richard Rodgers, Erich Kunzel, Cincinnati Pops Orchestra having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Over the Rainbow (From "The Wizard of Oz") | Harold Arlen, André Rieu, Johann Strauss Orchestra | G Major | 4 | 9B | 85 BPM | ||
| Oklahoma - From "Oklahoma!" Soundtrack | Gordon MacRae, Charlotte Greenwood, Shirley Jones, Darcy M. Proper | D Major | 3 | 10B | 136 BPM | ||
| A Time for Us (Un Giorno Per Noi) from Romeo & Juliet | Barbara Padilla | A Minor | 3 | 8A | 71 BPM | ||
| Hebrew Slaves Chorus from Nabucco | The London Symphony Orchestra - The London Symphony Chorus | D♭ Major | 0 | 3B | 69 BPM | ||
| Tonight from "West Side Story" | Annunzio Paolo Mantovani | G Major | 3 | 9B | 57 BPM | ||
| In a Persian Market | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | D Minor | 1 | 7A | 108 BPM | ||
| Rhapsodie Sur Un Thème De Paganini: Variation 18 | Orchestre Symphonique de Montréal, Alain Lefèvre, Sergei Rachmaninoff, Matthias Bamert | D♭ Major | 1 | 3B | 136 BPM | ||
| Maybe Tomorrow | Hagood Hardy | C Major | 2 | 8B | 77 BPM | ||
| Gold und Silber, Op.79: Walzer | Franz Lehár, Wiener Philharmoniker, John Eliot Gardiner | C Major | 1 | 8B | 74 BPM | ||
| La donna è mobile "Rigoletto" | Alessio Busanel And His Orchestra | G Major | 1 | 9B | 72 BPM | ||
| Repentes | Armonias | A Major | 2 | 11B | 144 BPM | ||
| We'll Meet Again | Ross Parker, Hughie Charles, André Rieu, Johann Strauss Orchestra | G Major | 3 | 9B | 163 BPM | ||
| Mame: Mame | Jerry Herman, Charles Braswell, Mame Ensemble, Mame (Original Broadway Cast), Original Broadway Cast of Mame, Donald Pippin | F Minor | 6 | 4A | 127 BPM | ||
| This Can't Be Love | Davis Gaines, Sarah Uriarte Berry, Richard Rodgers, Lorenz Hart | A♭ Major | 4 | 4B | 185 BPM | ||
| Kansas City | Richard Rodgers, Harry Groener, Mary Wickes, Oklahoma! Ensemble (1979), Jay Blackton | A Major | 4 | 11B | 75 BPM | ||
| La bohème: Quando me'n vo' | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | A Minor | 3 | 8A | 77 BPM | ||
| Stardust | The Melachrino Strings | D Major | 2 | 10B | 78 BPM | ||
| The Impossible Dream (The Quest) | Brian Stokes Mitchell | A Major | 3 | 11B | 82 BPM | ||
| This Nearly Was Mine | Paulo Szot | C Major | 2 | 8B | 88 BPM | ||
| South Pacific - Original Broadway Cast Recording: Happy Talk - Voice | Richard Rodgers, Juanita Hall, Salvatore Dell'Isola | D Major | 1 | 10B | 181 BPM | ||
| Oh, What a Beautiful Mornin' - Oklahoma!, 1955 | Fred zinnemann, Gordon MacRae | E Major | 2 | 12B | 170 BPM | ||
| Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Joshua Bell, Michael Stern, Craig Ogden, Academy of St. Martin in the Fields | D Major | 2 | 10B | 102 BPM | ||
| Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
| Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
| Continue (from "An Affair To Remember") | Gary Grant, Deborah Kerr | G Minor | 2 | 6A | 79 BPM |