Pat Hull, Cameron Hull's ' "Dear Jessie" was released on its scheduled release date, April 15, 2020. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Dear Jessie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 5 in the song's album "The St. Clare - EP". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, Dear Jessie's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Dear Jessie by Pat Hull, Cameron Hull having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Feel Like | Alexandra Babiak | E♭ Major | 2 | 5B | 66 BPM | ||
| Nothing | Pat Hull | A♭ Minor | 4 | 1A | 99 BPM | ||
| LOML | The Spine Stealers | E Minor | 5 | 9A | 86 BPM | ||
| The Man in the Booth | Dean Johnson | G Major | 4 | 9B | 149 BPM | ||
| Drag the Night In | Emily Fairlight | B♭ Major | 4 | 6B | 105 BPM | ||
| Sauvie's Nude Beach | mildred | F Major | 3 | 7B | 83 BPM | ||
| Down to the Edge | Ned Roberts | C Major | 6 | 8B | 123 BPM | ||
| Low Hopes | T. Hardy Morris | E Major | 3 | 12B | 94 BPM | ||
| All That While | Cactus Lee | D Major | 4 | 10B | 134 BPM | ||
| Up on the roof | Dan Reeder | F Major | 0 | 7B | 137 BPM | ||
| Bells | Mikayla McVey | D Major | 4 | 10B | 81 BPM | ||
| Easygoing (more easy) | Skinny Dyck | E Major | 8 | 12B | 120 BPM | ||
| Blue Moon | Dean Johnson | G Major | 4 | 9B | 116 BPM | ||
| The Real Thing | Malena Cadiz | A Major | 6 | 11B | 109 BPM | ||
| Free Wine | Rainbow Girls | D♭ Major | 5 | 3B | 95 BPM | ||
| Blue Morning | Daisy Rickman | F♯ Major | 9 | 2B | 121 BPM | ||
| Solely | Natalie Jane Hill | F Major | 3 | 7B | 65 BPM | ||
| To Love Somebody | Oska Wald | C Major | 4 | 8B | 85 BPM | ||
| Out Beyond | Luluc | E♭ Major | 1 | 5B | 87 BPM | ||
| I'm Gone | Kiki Cavazos | A Minor | 1 | 8A | 97 BPM | ||
| Ruler of My Heart | Ora Cogan | B Major | 4 | 1B | 118 BPM | ||
| Dry Land | John Craigie | C Major | 4 | 8B | 85 BPM | ||
| Sweet Valentine | Ron Leary | D Major | 2 | 10B | 80 BPM | ||
| Choosing Me | Rachel Sermanni | E♭ Major | 2 | 5B | 119 BPM | ||
| See People | Dead Gowns | F♯ Major | 4 | 2B | 90 BPM |